Art | Picasso in Black & White

Picasso Black and White
Solomon R Guggenheim Museum
New York City, USA
5th October, 2012 – 23rd January, 2013

Using only black, white and grey with sometimes a hint of ochre or perhaps blue, Pablo Picasso (1881-1973) was master of the monochrome. And although the Guggenheim’s press release attempts to convince us that this aspect of the artist’s work is frequently overlooked, who among us could forget or have failed to notice Picasso’s austere and sombre Guernica, 1937 – his knee-jerk reaction to the merciless bombing by German and Italian warplanes, at the behest of the Spanish Nationalist forces, of a defenceless Basque village during the Spanish Civil War.

Picasso, who is reputed to have said that colour ‘weakens’ apparently purged colour from his work in order to highlight its formal structure. And while his coloured pieces could sometimes be as brash as Pop art or compete with any of the more outlandishly-hued Van Gogh paintings, in cleverly concentrating solely on Picasso’s black and white output, the exhibition’s curators reveal an understated, often alluringly delicate side to the artist through works that provide insight with regard to his experimental, pioneering investigations into Cubism and his delving into Surrealism.

The Guggenheim’s phenomenal chronological presentation extending across Picasso’s entire 70-year career, includes significant loans—many of which have not been exhibited or published before—drawn from museum, private, and public collections across Europe and the United States, together with numerous works from the Picasso family and includes, among some 118 paintings, sculptures and works on paper, the tortured Head of a Horse, Sketch for Guernica.

Pablo Picasso Images from top
Tête de femme, profil droit [Marie-Thérèse], 1934
Collection of Aaron I. Fleischman
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
Photograph, Courtesy Gagosian Gallery

L’accordéoniste, 1911
Solomon R. Guggenheim Museum, New York, Solomon R Guggenheim Founding Collection, by gift
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
Photograph by Kristopher McKay. © The Solomon R Guggenheim
Foundation, New York

Tête de cheval, étude pour Guernica, 1937
Museo Nacional Centro de Arte Reina Sofía, Madrid, Bequest of the artist
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
Photograph, © Archivo fotográfico Museo Nacional Centro de Arte Reina
Sofía, Madrid

L’homme à la pipe, 1923
Private collection, Courtesy Fundación Almine y Bernard Ruiz-Picasso
para el Arte
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
Photograph by Eric Baudouin

La cuisine, 1948
The Museum of Modern Art, New York, Acquired through the Nelson A. Rockefeller Bequest, 1980
© 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
Photograph, The Museum of Modern Art/Licensed by SCALA/Art Resource, New York

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