Photography | Africa Shines Through

Zarita Zevallos
Imperium 2, 2017
Archival pigment print



Refraction: New Photography
of Africa and its Diaspora
Steven Kasher Gallery
NYC | USA
19 April 2 June 2018



Keyezua
Fortia (1), 2017
Giclée print on
Hanhemühle paper



Crack it. Smash it. Break it up into little pieces and scatter it. Glass will continue to refract rays of light that pass through it. This show sets out to demonstrate how cultural identity – in this case, African – reacts in a similar way.

Often ripped from their roots and transported many thousands of miles, or forced to flee wars and pogroms, Africans have seen their cultural identity subdued and trampled upon but never entirely transmuted.

Shawn Theodore
All I Ever Wanted Was
A Reason To Be
, 2018

Archival pigment print



Nona Faustine
Over Her Dead Body,
Tweed Courthouse,
Brooklyn, NY
, 2013

Archival pigment print



Stan Squirewell
Afrosaxson, 2017
Mixed media collage



Flying in the face of centuries of adversity, recent decades have seen the emergence of a new generation of photographers of African descent, based in many different locations across the globe, including Africa itself, with a rich diversity of approaches, determined to reclaim and to reassert their cultural heritage.

Eyerusalem Adugna Jirenga
The City of Saints VII, 2017
Digital archival print



Rendered entirely contemporary by its use of modern photography techniques, such as performative self-portraiture, collage, montage and digital manipulation, while their work – captured through fine quality glass camera lenses – makes bold references to traditional African values, rites and rituals, it is nevertheless undoubtedly characterised by the refractive process that African cultural identity has passed through.

Refraction: New Photography of Africa and its Diaspora at Steven Kasher Gallery presents the work of photographers born in the 1970s, 80s and 90s, living in Addis Ababa, Luanda, Paris, New York and beyond.

All images courtesy Steven Kasher Gallery, New York


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