Posts Tagged ‘Futurism’

Exhibitions | Reminder: Don’t Miss These…

Saturday, August 1st, 2015

McDermott & McGough, Those Moments, 1955, 2010
Tricolour carbon print. Courtesy the artists and Cheim & Read, New York.
On show at The Hammer Museum in Los Angeles, see below



The Blog team return next week.
Whether you’re staying at home or travelling,
here’s our selection of some of the best
of what’s on show this summer >>>



Doug Aitken, Sunset (black and white), 2011
Hand carved foam, epoxy with LED lights and hand silk-screened acrylic.
Courtesy the artist, 303 Gallery, New York, Galerie Eva Presenhuber, Zurich, Victoria Miro Gallery, London and Regen Projects, LA. Photo © Brian Forrest.
On show at the Schirn Kunsthalle Frankfurt, see below



>>> Until 23 August 2015
Coop Himmelb(l)au
Frankfurt Lyon Dalian

DeutschesArchitekturmuseum (DAM)
Frankfurt | Germany
Vienna-based architectural practice with the long-winded name Coop Himme(l)blau Wolf D Prix & Partner, long-time player on the international architecture scene, founded in 1968 in response to the predominance of rectilinear grids, set out to liberate architecture from its functional confines by rendering space more dynamic and buildings gravity-defying. The exhibition presents three of the studio’s latest projects: the new European Central Bank building (2015) in Frankfurt am Main, Germany, the Musée des Confluences (2014) in Lyon, France, and the Dalian International Conference Centre in China (2012), see image below.

>>> Auction 28 Aug 2015
Japanese Whisky
Christie’s
Admiralty | Hong Kong
Featuring Hanyu Ichito’s Full Cards Series of 54 bottles of the spirit, each with beautifully-designed individual labels on a playing card theme, which are expected to sell for HK$1.8 m > 2.4 m / £150,000 > 200,000 / US$230,000 > 310,000.

>>> Until 28 August 2015
Joana Vasconcelos:
Material World

Phillips
(Selling exhibition)
London | UK

Forty works representing various periods of sculptor and installation artist Joana Vasconcelos’s career to date, coinciding with the publication of her monograph by Thames & Hudson.

>>> Until 13 September 2015
Perfect Likeness:
Photography and Composition

The Hammer Museum
Los Angeles | USA

Having reached a point when everyone thinks he / she is a photographer, and where photography of every possible style and quality pervades every corner of our daily lives, this exhibition looks at the carefully composed images of fine art photographers such as Thomas Demand, Andreas Gursky, McDermott & McGough and Jeff Wall.

>>> Until 13 September 2015
Design Derby:
The Netherlands – Belgium (1815 > 2015)

Museum Boijmans
Van Beuningen

Rotterdam | Netherlands

Like for like Dutch and Belgium design objects – from sumptuous and elegant Belgian art nouveau to the more austere Dutch version, and from the contemporary tours de force of Belgium design to the level-headed Dutch design of today – confront one other in friendly competition.

>>> Until 25 October 2015
Fast Fashion
The Shadowy Side of Fashion

Museum für Kunst und
Gewerbe Hamburg

Hamburg | Germany
A critical glimpse behind the scenes of fashion – consumerism, economic interests and ecological issues – throwing light upon fashion and its victims; poverty and affluence; global and local effects; wages and profits; garments and chemicals; clothes and ecology; as well as new fibre technologies.

>>> Until 26 September 2015
Larry Bell 2D-3D:
Glass & Vapor

White Cube, Mason’s Yard
London | UK
Larry Bell (b 1939, Chicago) is a leading exponent of the California ‘Light and Space’ movement. The exhibition includes three early glass installations as well as collages on paper and new, kinetic Light Knot sculptures. To coincide with a major presentation of a Standing Wall installation of thirty-two, six foot square glass panels (c1989 >2014) currently on show at the Chinati Foundation, Marfa, Texas, USA, at White Cube, Bell has installed 6 x 8 An Improvisation.

>>> Until 27 September 2015
Doug Aitken
Schirn Kunsthalle Frankfurt
Frankfurt | Germany
Following on from his Station to Station: A 30 Day Happening extravaganza at London’s Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia-artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

>>> Until 27 September 2015
Germaine Krull
A Photographer’s Journey

Jeu de Paume
Paris | France
The idea of the female career photographer – rather than dabbler or dilettante – didn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985) thrust herself headlong into the male-dominated mêlée in the 1920s.



One-sheet poster for Sullivan’s Travels, directed by Preston Sturges, 1941
Poster art direction by Maurice Kallis. Courtesy Sikelia Productions.
On show at MoMA in New York, see below

Dalian International Conference Centre, China, by
Coop Himmelb(l)au Wolf D Prix & Partner, in Vienna, Austria

Photo © Duccio Malagamba.
On show at the Deutsches Architekturmuseum, Frankfurt, see above



>>> Until 27 September 2015
What is Luxury?
V&A
London | UK
The world’s biggest museum of the decorative arts and design has a permanent, historic collection of over 4.5 million objects. By definition it is a museum of things, many of which are extremely valuable and considered to be luxurious items. With over 100 objects, ‘From a diamond made from roadkill to a vending machine stocked with DNA, a golden crown for ecclesiastical use to traditional military tailoring, this exhibition addresses how luxury is made and understood in a physical, conceptual and cultural capacity.’

>>> Until September 30
Scorsese Collects [film posters]
Museum of Modern Art
New York City | USA
In celebration of director Martin Scorsese’s enduring commitment to the preservation of international film culture, MoMA presents 34 works from his collection, centred around a rare, billboard-size poster for the 1951 film Tales of Hoffmann. The exhibition will be accompanied by the film series Scorsese Screens throughout August.

>>> Until 4 October 2015
From Bauhaus to Buenos Aires:
Grete Stern & Horacio Coppola

Museum of Modern Art
New York City | USA
The first major exhibition of the German-born Grete Stern and the Argentinean Horacio Coppola, two leading figures of avant-garde photography who, in the 1930s, established themselves on both sides of the Atlantic.

>>> Until 18 October 2015
The 80s. Figurative
Painting in West Germany

Städel Museum
Frankfurt | Germany
Shedding light on the new and dynamic figurative painting that developed in the 1980s almost simultaneously in Berlin, Hamburg and the Rhineland. Works by among many other artists, Martin Kippenberger, Albert Oehlen, and Salomé.

>>> Until 25 October 2015
Barbara Hepworth: Sculpture
for a Modern World

Tate Britain
London | UK
Retrospective of one of Britain’s greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

>>> Until 25 October 2015
Gilbert & George:
The Early Years

Museum of Modern Art
New York City | USA
‘It’s not a collaboration. . . We are two people, but one artist,’ say the inseparable British artists, Gilbert and George, who have been creating art together for almost fifty years. This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

>>> Until 26 October 2015
Radikal Moderne Planen
und Bauen im Berlin
der Sechziger Jahre

/ Planning and Building
in Berlin in the 1960s

Berlinische Galerie
Berlin | Germany
Via 300 known works and recently rediscovered material representing 30 architects, planners, photographers and artists, this is the first detailed examination of a decade in architecture and urban planning that shaped a city divided not only by a wall, but also by political ideologies.

>>> Until 31 October 2015
Stone Fenoyl (1945 > 1987).
An Imaginary Geography.
A Documentary Record

Château de Tours
(in association with Jeu de Paume)
Tours | France

Famous for his ability to discover and nurture new photographers, and for his admiration of anonymous 19th century photographs, iconographer, curator, art buyer, gallery and Vu agency (now Viva) founder, Pierre de Fenoyl was the first director of France’s National Foundation Photography in 1976. Champion of the work of Brassai, Henri Cartier-Bresson, Duane Michals and André Kertész, alongside prints, documents, films and publications, this retrospective also shows the black and white landscape photography he created himself from 1984.

>>> Until 1 November 2015
Fotografia Futurista
Galleria Carla Sozzani
Milan | Italy
With over one hundred original photographs, representing the work of over thirty photographers, this exhibition demonstrates how, over a fifty-year period, the futurists took possession of the photographic language and used it as a medium to capture the pulse of early 20th century life. In so doing, they transformed photography into the dynamic, potent and multifaceted force it became in both art and commerce in the twentieth century.

>>> Until 31 January 2016
Shoes: Pleasure and Pain
V&A
London | UK
Exploring the euphoria and obsession they can inspire, more than 200 pairs of historic and contemporary shoes from the V&A’s unrivalled international collection, worn by or associated with high profile figures including Marilyn Monroe, Queen Victoria, Sarah Jessica Parker and the Hon Daphne Guinness are on display. Famous shoes, such as the ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes, are exhibited alongside footwear by 70 named designers including Manolo Blahnik, Christian Louboutin, Jimmy Choo and Miuccia Prada.



Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Exhibitions | This Summer, Don’t Miss These…

Friday, July 24th, 2015

McDermott & McGough, Those Moments, 1955, 2010
Tricolour carbon print. Courtesy the artists and Cheim & Read, New York.
On show at The Hammer Museum in Los Angeles, see below



The Blog team is away.
Whether you stay at
home or go travelling,
h
ere’s our selection of
some of the best of what’s
on show this summer >>>



Doug Aitken, Sunset (black and white), 2011
Hand carved foam, epoxy with LED lights and hand silk-screened acrylic.
Courtesy the artist, 303 Gallery, New York, Galerie Eva Presenhuber, Zurich, Victoria Miro Gallery, London and Regen Projects, LA. Photo © Brian Forrest.
On show at the Schirn Kunsthalle Frankfurt, see below



>>> Until 23 August 2015
Coop Himmelb(l)au
Frankfurt Lyon Dalian
DeutschesArchitekturmuseum (DAM)
Frankfurt | Germany
Vienna-based architectural practice with the long-winded name Coop Himme(l)blau Wolf D Prix & Partner, long-time player on the international architecture scene, founded in 1968 in response to the predominance of rectilinear grids, set out to liberate architecture from its functional confines by rendering space more dynamic and buildings gravity-defying. The exhibition presents three of the studio’s latest projects: the new European Central Bank building (2015) in Frankfurt am Main, Germany, the Musée des Confluences (2014) in Lyon, France, and the Dalian International Conference Centre in China (2012), see image below.

>>> Auction 28 Aug 2015
Japanese Whisky
Christie’s
Admiralty | Hong Kong
Featuring Hanyu Ichito’s Full Cards Series of 54 bottles of the spirit, each with beautifully-designed individual labels on a playing card theme, which are expected to sell for HK$1.8 m > 2.4 m / £150,000 > 200,000 / US$230,000 > 310,000.

>>> Until 28 August 2015
Joana Vasconcelos:
Material World
Phillips
(Selling exhibition)
London | UK
Forty works representing various periods of sculptor and installation artist Joana Vasconcelos’s career to date, coinciding with the publication of her monograph by Thames & Hudson.

>>> Until 13 September 2015
Perfect Likeness:
Photography and
Composition
The Hammer Museum
Los Angeles | USA

Having reached a point when everyone thinks he / she is a photographer, and where photography of every possible style and quality pervades every corner of our daily lives, this exhibition looks at the carefully composed images of fine art photographers such as Thomas Demand, Andreas Gursky, McDermott & McGough and Jeff Wall.

>>> Until 13 September 2015
Design Derby:
The Netherlands – Belgium (1815 > 2015)
Museum Boijmans
Van Beuningen
Rotterdam | Netherlands

Like for like Dutch and Belgium design objects – from sumptuous and elegant Belgian art nouveau to the more austere Dutch version, and from the contemporary tours de force of Belgium design to the level-headed Dutch design of today – confront one other in friendly competition.

>>> Until 25 October 2015
Fast Fashion
The Shadowy Side of Fashion
Museum für Kunst und
Gewerbe Hamburg

Hamburg | Germany
A critical glimpse behind the scenes of fashion – consumerism, economic interests and ecological issues – throwing light upon fashion and its victims; poverty and affluence; global and local effects; wages and profits; garments and chemicals; clothes and ecology; as well as new fibre technologies.

>>> Until 26 September 2015
Larry Bell 2D-3D:
Glass & Vapor

White Cube, Mason’s Yard
London | UK
Larry Bell (b 1939, Chicago) is a leading exponent of the California ‘Light and Space’ movement. The exhibition includes three early glass installations as well as collages on paper and new, kinetic Light Knot sculptures. To coincide with a major presentation of a Standing Wall installation of thirty-two, six foot square glass panels (c1989 >2014) currently on show at the Chinati Foundation, Marfa, Texas, USA, at White Cube, Bell has installed 6 x 8 An Improvisation.

>>> Until 27 September 2015
Doug Aitken
Schirn Kunsthalle Frankfurt
Frankfurt | Germany
Following on from his Station to Station: A 30 Day Happening extravaganza at London’s Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia-artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

>>> Until 27 September 2015
Germaine Krull
A Photographer’s Journey
Jeu de Paume
Paris | France
The idea of the female career photographer – rather than dabbler or dilettante – didn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985) thrust herself headlong into the male-dominated mêlée in the 1920s.



One-sheet poster for Sullivan’s Travels, directed by Preston Sturges, 1941
Poster art direction by Maurice Kallis. Courtesy Sikelia Productions.
On show at MoMA in New York, see below

Dalian International Conference Centre, China, by
Coop Himmelb(l)au Wolf D Prix & Partner, in Vienna, Austria
Photo © Duccio Malagamba.
On show at the Deutsches Architekturmuseum, Frankfurt, see above



>>> Until 27 September 2015
What is Luxury?
V&A
London | UK
The world’s biggest museum of the decorative arts and design has a permanent, historic collection of over 4.5 million objects. By definition it is a museum of things, many of which are extremely valuable and considered to be luxurious items. With over 100 objects, ‘From a diamond made from roadkill to a vending machine stocked with DNA, a golden crown for ecclesiastical use to traditional military tailoring, this exhibition addresses how luxury is made and understood in a physical, conceptual and cultural capacity.’

>>> Until September 30
Scorsese Collects [film posters]
Museum of Modern Art
New York City | USA
In celebration of director Martin Scorsese’s enduring commitment to the preservation of international film culture, MoMA presents 34 works from his collection, centred around a rare, billboard-size poster for the 1951 film Tales of Hoffmann. The exhibition will be accompanied by the film series Scorsese Screens throughout August.

>>> Until 4 October 2015
From Bauhaus to Buenos Aires:
Grete Stern & Horacio Coppola

Museum of Modern Art
New York City | USA
The first major exhibition of the German-born Grete Stern and the Argentinean Horacio Coppola, two leading figures of avant-garde photography who, in the 1930s, established themselves on both sides of the Atlantic.

>>> Until 18 October 2015
The 80s. Figurative
Painting in West Germany

Städel Museum
Frankfurt | Germany
Shedding light on the new and dynamic figurative painting that developed in the 1980s almost simultaneously in Berlin, Hamburg and the Rhineland. Works by among many other artists, Martin Kippenberger, Albert Oehlen, and Salomé.

>>> Until 25 October 2015
Barbara Hepworth: Sculpture
for a Modern World

Tate Britain
London | UK
Retrospective of one of Britain’s greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

>>> Until 25 October 2015
Gilbert & George:
The Early Years

Museum of Modern Art
New York City | USA
‘It’s not a collaboration. . . We are two people, but one artist,’ say the inseparable British artists, Gilbert and George, who have been creating art together for almost fifty years. This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

>>> Until 26 October 2015
Radikal Moderne Planen
und Bauen im Berlin
der Sechziger Jahre
/
Planning and Building
in Berlin in the 1960s

Berlinische Galerie
Berlin | Germany
Via 300 known works and recently rediscovered material representing 30 architects, planners, photographers and artists, this is the first detailed examination of a decade in architecture and urban planning that shaped a city divided not only by a wall, but also by political ideologies.

>>> Until 31 October 2015
Stone Fenoyl (1945 > 1987).
An Imaginary Geography.
A Documentary Record
Château de Tours
(in association with Jeu de Paume)
Tours | France
Famous for his ability to discover and nurture new photographers, and for his admiration of anonymous 19th century photographs, iconographer, curator, art buyer, gallery and Vu agency (now Viva) founder, Pierre de Fenoyl was the first director of France’s National Foundation Photography in 1976. Champion of the work of Brassai, Henri Cartier-Bresson, Duane Michals and André Kertész, alongside prints, documents, films and publications, this retrospective also shows the black and white landscape photography he created himself from 1984.

>>> Until 1 November 2015
Fotografia Futurista
Galleria Carla Sozzani
Milan | Italy
With over one hundred original photographs, representing the work of over thirty photographers, this exhibition demonstrates how, over a fifty-year period, the futurists took possession of the photographic language and used it as a medium to capture the pulse of early 20th century life. In so doing, they transformed photography into the dynamic, potent and multifaceted force it became in both art and commerce in the twentieth century.

>>> Until 31 January 2016
Shoes: Pleasure and Pain
V&A
London | UK
Exploring the euphoria and obsession they can inspire, more than 200 pairs of historic and contemporary shoes from the V&A’s unrivalled international collection, worn by or associated with high profile figures including Marilyn Monroe, Queen Victoria, Sarah Jessica Parker and the Hon Daphne Guinness are on display. Famous shoes, such as the ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes, are exhibited alongside footwear by 70 named designers including Manolo Blahnik, Christian Louboutin, Jimmy Choo and Miuccia Prada.


Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Art | Erwin Wurm in Sixty Seconds

Friday, May 2nd, 2014

One Minute Sculpture, 1997
C-print

Courtesy Centre Pompidou, Paris
and FRAC Limousin, Limoges



Erwin Wurm:
One Minute Sculptures

Städel Museum
Frankfurt am Mein | Germany
7th May > 13 July 2014

How many minutes have passed since the instant in 1997 when Austrian artist Erwin Wurm (1954 >) began producing the works in this series? The mind boggles… Seven years ago he was probably wondering himself how long the idea of inviting gallery / museum visitors to become sculptures themselves, albeit for only 60 seconds – that’s 840 seconds (14 minutes) less than Andy Warhol allegedly promised us all that we could be famous for – would endure. But, like Christian Marclay’s audiovisual work, The Clock, lasting 24 hours – on view at Paris’s Centre Pompidou from 17th May > 2nd July, where it was first shown in 2011 – Wurm’s concept has remained fresh and stood the test of time.


Fat Car (Convertible), 2005
Polystyrene / styrofoam and polyester


Of course, audience partition in art isn’t new. It was an integral part of Futurism (key dates 1909 > 1944) which both celebrated and derided the crowd as a force for the future and as representative of the primitive past. In 1920, at the reading of the Dadaist manifestos by, among others, Francis Picabia, André Breton and Tristan Tzara, which ended in uproar – exactly as they intended – the audience pelted the stage with rubbish. Yves Klein in France and Yoko Ono in New York City were pioneers of performance based art, and part of a broad movement originating in the 1950s and 60s, when artists began pushing the boundaries of contemporary art, sometimes combining elements of music, dance and sculpture in their attempts to create new forms of artistic expression, for which audience participation was often integral. While Wurm’s creations are nowhere near as epic as the cast of thousands, human nude art installations that New York based photographer Spencer Tunick has been creating all over the world for the past 20 years. As an artist he is no less serious, questioning the role of galleries / museums in contemporary society, his work no less sophisticated for appearing – at least superficially – fun and sometimes funny.


One Minute Sculptures, 1997
C-prints

Courtesy Centre Pompidou,
Paris and FRAC Limousin, Limoges


From his early minimalist clothing sculptures that he began producing in the 1980s, throughout his many exhibitions at a range of international venues that include the Vitra Museum in Weil am Rhein, Germany, Dallas Contemporary, USA, Galerie Thaddaeus Ropac, Paris, France, and the Albertina in Vienna, Austria, through the ephemeral One Minute Sculptures to the grotesquely bloated objects such as Fat Car (2000 / 2001) and Fat House (2003), Wurm has concentrated consistently on expanding the concept of what a sculpture, when it is no longer cast in bronze or chiselled from marble, could be.

The main thrust of Erwin Wurm: One Minute Sculptures at the Städel Museum is built on the dynamic between the artist and the audience. Visitors to previous One Minute Sculpture events have been invited, by means of the artist’s sketches suggesting nothing more than a hint or starting point, among other things, to balance their bodies on oranges, to insert a range of desktop items into every orifice in their heads, and to create a sculpture using only their own bodies and a folding sunbed, but always only for one minute.

In addition to the living sculptures with which the visitors can interact and temporarily become part of the Städel collection, some twenty selected photographs and films from the series will also be on show.

All images except* © Studio Wurm / VG Bild-Kunst, Bonn 2014


Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us which we think might interest you

The publishers of The Blog insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees which may, under any circumstances, fall due, must be borne by the source supplier




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Architecture | Collage City in 3D

Friday, July 19th, 2013

Cut ’n’ Paste: From Architectural Assemblage to Collage City
Metropolitan Musem of Art
New York City, USA
Until 1st December, 2013

When Pablo Picasso pasted an actual Italian stamp on to a painting of a letter, he really started something. Earlier artists had made occasional use of the technique and it had appeared in popular art, but La lettre (1912) was probably the first deliberate use of collage in fine art.

Dictionaries define collage as an ‘Art form and technique, incorporating the use of pre-existing materials or objects attached as part of a two-dimensional surface’, which is how most of us think of it. This exhibition at MoMA uncovers how the visual language of collage, springing from its early 20th century roots, has come to dominate contemporary architectural representation, and how it has impacted three-dimensional buildings.

Picasso’s cubist colleagues, Juan Gris and George Braque, also experimented with collage, and the next couple of years, leading up to World War I and the Russian Revolution, would see Kazimir Malevich, the Futurist movement and the Dadaists each adopting the technique and using it to suit their own purposes, with very diverse results. The Berlin Dada group – which included Helmut Herzfeld/John Heartfield – with whom the young Mies van der Rohe interacted, used photographs and newspaper cuttings to make raw political, satirical, and socially critical statements. Van der Rohe adapted the technique to function, not just as a tool for expressing his architectural ideas, but also as an aid to exploring and developing them. He placed colour reproduction prints of paintings as well as photographs in his renderings of the new interior spaces made possible by steel and glass construction, not merely as decorative elements, but to represent non-load-bearing walls or divisions. His early painters of choice were Bauhaus artists Paul Klee and Wassily Kandinsky: later – the Bauhaus, of which he was the final director, having been closed by the Nazis, his having emigrated to America in 1937 – in Museum for a Small City, Interior Perspective (1942-43) including, perhaps pointedly, Picasso’s Guernica (1937).

From the mid-1950s, Robert Rauschenberg, Jasper Johns, and Richard Hamilton, among others associated with pop art, made extensive use of collage. Installation artists Christo and Jeanne-Claude, who in the 1970s, and later, in their preparatory drawings for projects often involving large architectural structures, such as Wrapped Reichstag, Berlin (1971-95), also sought the immediacy of incorporating collaged elements. Meanwhile, architectural critics Colin Rowe and Fred Koetter’s book Collage City (1978), which proposed a city of fragments from the past, present and future, taking inspiration from working examples in existing cities; some rational, some disordered, juxtaposing and layering smaller designs into a whole – a post-modern composition – allowing the city to create itself, was an urban manifesto for the medium.

Contemporary architects who have used collage methods to communicate their ideas and architectural landscapes include such luminaries as Zaha Hadid and particularly Rem Koolhaas, whose architecture itself, for example, the interior of the distinctive, futuristic, asymmetrical, faceted form of the Casa da Musica, in Porto, Portugal, incorporates gold wood-grained walls and traditional blue and white tiled areas complete with antique furniture.

The intention of the organisers of Cut ‘n’ Paste: From Architectural Assemblage to Collage City is to demonstrate that collage is much more than a continuation of drawing practices and that, via direct evocations of lifestyle or inventive connections to surrounding cultural conditions, as an architectural tool, this wide-ranging medium is capable of mixing high and popular references and offers a dynamic, inventive connection to cultural context, providing the means for architects to draw reality onto their projects from their earliest conception. These days, though, digital technology makes it all so much easier – and, unless you want them, there are no visible joins.

Images from top
Ludwig Mies van der Rohe,
Convention Hall project, Chicago,
Interior perspective, 1954
Cut-and-pasted reproductions, photograph,
and paper on composite board
Mies van der Rohe Archive, gift of the architect
©2013 Artists Rights Society (ARS),
New York / VG Bild-Kunst, Bonn

Ralph Schraivogel
Archigram 1961–74
Silkscreen
Museum für Gestaltung, 1995,
Exhibition poster
Gift of the designer

Paul Citroen
Metropolis, 1923
Gelatin silver print
Thomas Walther Collection
Gift of Thomas Walther
©2013 Paul Citroën/Artists Rights Society (ARS),
New York / PICTORIGHT, Amsterdam


Tell us what you think
The Blog is about art, architecture, gardens, books, design and anything else that currently interests us which we think might interest you

The publishers of The Blog insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees which may, under any circumstances, fall due, must be borne by the source supplier

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