Posts Tagged ‘Jeu de Paume’

Photography | Think Luigi Ghirri

Friday, December 28th, 2018

Rimini, 1977



Luigi Ghirri
The Map and the Territory
Jeu de Paume
Paris | France
12 February > 2 June 2019



Modena, 1971
Courtesy Matthew
Marks Gallery



Ironically, since he was obsessed by maps, it seems particularly odd that until now Luigi Ghirri, a photographer whose importance was recognised internationally during his lifetime, never had a retrospective exhibition outside of his home country. This forthcoming show, in France, focuses on the astonishing body of work he produced over the course of a single decade at the start of his career.

Padova, 1973
Università di Parma



Bastia, 1976



Salzburg, 1977
Private collection.
Courtesy Matthew
Marks Gallery



Born in the northern area of Reggio Emilia, and based in Modena, Italy, Ghirri (1943 > 1992) was a trained surveyor when he began taking photographs in his spare time in the early 1970s. Revealingly, he once said that he was interested in, amongst other things: objects charged with desires, dreams, collective memories, windows, mirrors and human beings seen through images, because that is exactly what you get. Direct and infused with subtle wit, his photographs and photomontages from this period, which channel diverse influences from surrealism to pop art, stop you in your tracks, play games with your perception and, most especially, make you think. Ghirri’s mature work, though equally as thought-provoking, was often more gentle in its irony.

Brest, 1972
CSAC, Università
di Parma



The recent revival of interest in Ghirri’s oeuvre was sparked by The Aperture Foundation’s first book in English on the photographer, published in 2008. In 2011, Thomas Demand organised the show La Carte d’Après Nature around Ghirri’s photographs, at Matthew Marks Gallery in New York, which has been followed by a host of other exhibitions in Italy and elsewhere around the world.

Previously shown in 2018 at Folkwang Museum, Essen, Germany and at Museo Nacional Centro de Arte Reina Sofía in Madrid, Luigi Ghirri: The Map and the Territory is at Jeu de Paume in Paris.

All images photographed by Luigi Ghirri, courtesy Jeu de Paume, © Estate Luigi Ghirri


Tell us what you think
The Blog is about art, architecture, books, design, gardens and anything else that currently interests us that we think might interest you

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being made available to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier

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Photography | Albert Renger-Patzsch: Beautiful World

Friday, October 13th, 2017

Kauper, Hochofenwerk,
[Kauper, blast furnaces]
,
Herrenwyk, Lübeck, 1927
Albert Renger-Patzsch Archiv /
Stiftung Ann und Jürgen Wilde,
Pinakothek der Moderne, Munich



Albert Renger-Patzsch
Things
Jeu de Paume
Paris | France
16 October 2017
> 21 January 2018



Hände [Hands], 1926 > 1927
Collection Ann und Jürgen Wilde



Eminent photo-historian, the late Bruce Bernard’s Photodiscovery book (1980) contains useful, sometimes lengthy potted histories of the photographers whose work he decided to include. He was dogged and persistent in his research, so, as the German photographer’s entry is severely limited, it is safe to presume that when Bernard was gathering the material together almost forty years ago, little information was available on Albert Renger-Patzsch (1897 > 1966), whose work is the subject of a forthcoming retrospective at Jeu de Paume. During the intervening years, which have seen a revival of interest in the 1920s German Neue Sachlichkeit (New Objectivity) group that included George Grosz, Otto Dix and Max Beckmann, with which Renger-Patzsch was associated, and fuelled by the popularity of the work of later and contemporary photographers such as Bernd and Hilla Becher, Martin Parr and William Eggleston – who it might be said followed in the same tradition – knowledge about him has grown and examples of his oeuvre have become more accessible.

Natterkopf [Snake's head], 1925
Berinson Gallery, Berlin



Landstraße bei Essen
[Country road
near Essen], 1929
Albert Renger-Patzsch Archiv /
Stiftung Ann und Jürgen Wilde,
Pinakothek der Moderne, Munich



Renger-Patzsch took his first photographs, aged twelve, in Würzberg, Bavaria. His first job was as a chemist, then he did a stint as a photography archivist before becoming a freelance documentary and press photographer in 1925. As with the somewhat older German photographer, Karl Blossfeldt (1865 > 1932), whose work would not achieve public attention until 1928 when his book Urformen der Kunst [Art Forms in Nature] was published, Renger-Patzsch’s scientific background exerted a strong influence on his photography. In his own very influential book Die Welt ist schön [The World is Beautiful], which appeared that same year, Renger-Patzsch displayed images from both nature and industry; all shot in a clear, uncluttered style closely related to the detached and literal renderings of reality espoused by the Neue Sachlichkeit painters, whose approach reflected the resignation and cynicism of the post-World War I period in Germany.

Stapelia variegata,
Asclepiadaceae, 1923
Albert Renger-Patzsch Archiv /
Stiftung Ann und Jürgen Wilde,
Pinakothek der Moderne, Munich



Jenaer Glas (Zylindrische
Gläser) [Jena Glassworks
(Cylindrical beakers)], 1934
Museum Folkwang, Essen



The development of the photographic process itself had been the result of in-depth scientific research. Some 19th century artists would take advantage of the medium’s capacity to record details that they could employ as reference for their paintings, and a few photographers would use it for its documentary potential, but it was generally viewed as a method of creating images that resembled paintings and executed in a style that intentionally distanced it from reality and was referred to as pictorialism. In his strong belief that his subjects did not require any enhancement Renger-Patzsch rejected pictorialism and forgoing painterly techniques, such as soft focus, recorded the exact, detailed appearance of his subjects, in an attempt to discover beauty in everyday things and places, in the ordinary and the mundane. Some of his contemporaries who were working in similar areas at the time and whose approach, like Renger-Patzch’s eschewed the emotional and the spiritual in favour of the rational and sometimes political, and whose photography was a response to the rapid industrialisation of Europe and America, included Lazlo Moholy-Nagy, August Sander and Edward Weston.

From the early 1930s Renger-Patzsch taught photography, and afterwards, while working as a freelance photographer, focused on personal projects. As with his early work, his later subjects were natural and industrial: Eisen und Stahl [Iron and Steel], 1930, Bäume [Trees], 1962), and Gestein [Stones], 1966.

Albert Renger-Patzsch: Things, at Jeu de Paume, including over 150 prints, is an overview of the themes and directions, which marked the photographers’ career.

All images by Albert Renger-Patzsch, courtesy Jeu de Paume
© Albert Renger-Patzsch / Archiv Ann und Jürgen Wilde, Zülpich / ADAGP, Paris 2017


Tell us what you think
The Blog is about art, architecture, books, design, gardens and anything else that currently interests us that we think might interest you

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being made available to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier


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Photography | Hello Éli Lotar

Friday, February 24th, 2017

Portrait of the Actress
Wanda Vangen
, 1929

Vintage silver gelatin print.
Centre Pompidou collection



Éli Lotar (1905 > 1969)
Jeu de Paume – Concorde
Paris | France
Until 28 May 2017



Untitled, [Journey aboard
the Exir Dallen]
, c 1933

Vintage silver gelatin print.
Gift of M Jean-Pierre Marchand.
Centre Pompidou collection



You may not have heard of Éli Lotar – until the 1990s, when the first major exhibition of the photographer and filmmaker’s work was presented at the Centre Pompidou, he had faded from public awareness. But in Paris, in the 1920s and 30s, Lotar, as this newshow at Jeu de Paume helps to re-establish further, was an important pioneer of modernist photography, respected by such contemporaries as Man Ray and László Moholy-Nagy.

Born in Paris, but brought in Bucharest, Lotar returned to France in 1924, and from 1927 to 1929 served as Germaine Krull’s apprentice. A generous teacher, Krull allowed him to share the use of her equipment. (Incidentally, Krull’s own huge contribution to 20th century photography went largely unrecognised until her 2015 retrospective at the Jeu de Paume.)

Photographing planes, boats, trains and the railways, Éli Lotar was inspired by modernity and often focussed his lens on the urban and industrial landscape of Paris and the Île-de-France. However, he was a keen traveller, too, and made numerous trips around France and the Mediterranean, returning with countless reportage images, particularly of maritime landscapes and port scenes.

Untitled [Lisbon], 1931
Vintage silver gelatin print.
Gift of M Jean-Pierre Marchand.
Centre Pompidou collection



Untitled [Tombros’ hand
with sea urchin]
, 1931

Vintage silver gelatin print.
Gift of M Jean-Pierre Marchand.
Centre Pompidou collection



Hôpital des Quinze-Vingt, 1928
Photomontage, vintage
silver gelatin prints.
Acquired thanks to
the sponsor Yves Rocher,
Former Christian
Bouqueret collection.
Centre Pompidou collection



Although he would never actually join it, he had a close association with the surrealist movement, and some of his most accomplished images, often featuring hands, exude a dream-like quality.

A regular contributor to Vu between 1928 and 1931, his images appeared in leading avant-garde publications of the time such as Jazz, Variétés, L’Art vivant, Documents, and Bifur.

In 1928, Lotar’s photographs were exhibited in Brussels alongside that of Berenice Abbott, André Kertész, Krull, Man Ray, László Moholy-Nagy, Eli Lotar, then in 1929, in the influential Fotografie der Gegenwart show, at Essen’s Museum Folkwang, featuring photography by all the prime modernist movers of the period, among them, Berenice Abbott, Herbert Bayer, André Kertész, Germaine Krull, El Lissitzky, Man Ray, László Moholy-Nagy, Albert Renger-Patzsch, Hans Richter, August Sander, Umbo (Otto Umbehr), Lucia Moholy and Karl Blossfeldt, which travelled throughout Germany as well as to Sweden and London.

His work also featured in the 1929 exhibition Internationale Ausstellung des Deutschen Werkbunds Film und Foto (FiFo) in Stuttgart organised by El Lissitzky, László Moholy-Nagy, Hans Richter, Edward Steichen and Edward Weston that travelled to Switzerland and Austria, and as far as Japan.

Draining of the Zuiderzee,
Netherlands, 1930
Vintage silver gelatin print.
Archives Tériade,
musée départemental Matisse,
Le Cateau-Cambrésis



Passionate about film, in the 1930s, Lotar was hired as a cinematographer for Luis Buñuel, although he continued to produce photography, often on the fringes of film sets. Turning to film direction himself in the 1940s, he was commissioned by the communist mayor of Aubervilliers to show the realities of the harsh living conditions of those who lived in the area under his jurisdiction. The eponymously titled film Aubervilliers (1945) is on show at Jeu de Paume during the exhibition.

Lotar developed close ties with many of the film stars and leading artists of his day. During his close friendship with Alberto Giacometti in the 1960s, he photographed the artist, while Giacometti sculpted Lotar. He was Giacometti’s last male model.

Éli Lotar (1905 > 1969) at Jeu de Paume – Concorde his first retrospective exhibition and features a selection of around 100 vintage prints.

All photographs by Eli Lotar, © Eli Lotar, courtesy Jeu de Paume


Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Exhibitions | Reminder: Don’t Miss These…

Saturday, August 1st, 2015

McDermott & McGough, Those Moments, 1955, 2010
Tricolour carbon print. Courtesy the artists and Cheim & Read, New York.
On show at The Hammer Museum in Los Angeles, see below



The Blog team return next week.
Whether you’re staying at home or travelling,
here’s our selection of some of the best
of what’s on show this summer >>>



Doug Aitken, Sunset (black and white), 2011
Hand carved foam, epoxy with LED lights and hand silk-screened acrylic.
Courtesy the artist, 303 Gallery, New York, Galerie Eva Presenhuber, Zurich, Victoria Miro Gallery, London and Regen Projects, LA. Photo © Brian Forrest.
On show at the Schirn Kunsthalle Frankfurt, see below



>>> Until 23 August 2015
Coop Himmelb(l)au
Frankfurt Lyon Dalian

DeutschesArchitekturmuseum (DAM)
Frankfurt | Germany
Vienna-based architectural practice with the long-winded name Coop Himme(l)blau Wolf D Prix & Partner, long-time player on the international architecture scene, founded in 1968 in response to the predominance of rectilinear grids, set out to liberate architecture from its functional confines by rendering space more dynamic and buildings gravity-defying. The exhibition presents three of the studio’s latest projects: the new European Central Bank building (2015) in Frankfurt am Main, Germany, the Musée des Confluences (2014) in Lyon, France, and the Dalian International Conference Centre in China (2012), see image below.

>>> Auction 28 Aug 2015
Japanese Whisky
Christie’s
Admiralty | Hong Kong
Featuring Hanyu Ichito’s Full Cards Series of 54 bottles of the spirit, each with beautifully-designed individual labels on a playing card theme, which are expected to sell for HK$1.8 m > 2.4 m / £150,000 > 200,000 / US$230,000 > 310,000.

>>> Until 28 August 2015
Joana Vasconcelos:
Material World

Phillips
(Selling exhibition)
London | UK

Forty works representing various periods of sculptor and installation artist Joana Vasconcelos’s career to date, coinciding with the publication of her monograph by Thames & Hudson.

>>> Until 13 September 2015
Perfect Likeness:
Photography and Composition

The Hammer Museum
Los Angeles | USA

Having reached a point when everyone thinks he / she is a photographer, and where photography of every possible style and quality pervades every corner of our daily lives, this exhibition looks at the carefully composed images of fine art photographers such as Thomas Demand, Andreas Gursky, McDermott & McGough and Jeff Wall.

>>> Until 13 September 2015
Design Derby:
The Netherlands – Belgium (1815 > 2015)

Museum Boijmans
Van Beuningen

Rotterdam | Netherlands

Like for like Dutch and Belgium design objects – from sumptuous and elegant Belgian art nouveau to the more austere Dutch version, and from the contemporary tours de force of Belgium design to the level-headed Dutch design of today – confront one other in friendly competition.

>>> Until 25 October 2015
Fast Fashion
The Shadowy Side of Fashion

Museum für Kunst und
Gewerbe Hamburg

Hamburg | Germany
A critical glimpse behind the scenes of fashion – consumerism, economic interests and ecological issues – throwing light upon fashion and its victims; poverty and affluence; global and local effects; wages and profits; garments and chemicals; clothes and ecology; as well as new fibre technologies.

>>> Until 26 September 2015
Larry Bell 2D-3D:
Glass & Vapor

White Cube, Mason’s Yard
London | UK
Larry Bell (b 1939, Chicago) is a leading exponent of the California ‘Light and Space’ movement. The exhibition includes three early glass installations as well as collages on paper and new, kinetic Light Knot sculptures. To coincide with a major presentation of a Standing Wall installation of thirty-two, six foot square glass panels (c1989 >2014) currently on show at the Chinati Foundation, Marfa, Texas, USA, at White Cube, Bell has installed 6 x 8 An Improvisation.

>>> Until 27 September 2015
Doug Aitken
Schirn Kunsthalle Frankfurt
Frankfurt | Germany
Following on from his Station to Station: A 30 Day Happening extravaganza at London’s Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia-artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

>>> Until 27 September 2015
Germaine Krull
A Photographer’s Journey

Jeu de Paume
Paris | France
The idea of the female career photographer – rather than dabbler or dilettante – didn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985) thrust herself headlong into the male-dominated mêlée in the 1920s.



One-sheet poster for Sullivan’s Travels, directed by Preston Sturges, 1941
Poster art direction by Maurice Kallis. Courtesy Sikelia Productions.
On show at MoMA in New York, see below

Dalian International Conference Centre, China, by
Coop Himmelb(l)au Wolf D Prix & Partner, in Vienna, Austria

Photo © Duccio Malagamba.
On show at the Deutsches Architekturmuseum, Frankfurt, see above



>>> Until 27 September 2015
What is Luxury?
V&A
London | UK
The world’s biggest museum of the decorative arts and design has a permanent, historic collection of over 4.5 million objects. By definition it is a museum of things, many of which are extremely valuable and considered to be luxurious items. With over 100 objects, ‘From a diamond made from roadkill to a vending machine stocked with DNA, a golden crown for ecclesiastical use to traditional military tailoring, this exhibition addresses how luxury is made and understood in a physical, conceptual and cultural capacity.’

>>> Until September 30
Scorsese Collects [film posters]
Museum of Modern Art
New York City | USA
In celebration of director Martin Scorsese’s enduring commitment to the preservation of international film culture, MoMA presents 34 works from his collection, centred around a rare, billboard-size poster for the 1951 film Tales of Hoffmann. The exhibition will be accompanied by the film series Scorsese Screens throughout August.

>>> Until 4 October 2015
From Bauhaus to Buenos Aires:
Grete Stern & Horacio Coppola

Museum of Modern Art
New York City | USA
The first major exhibition of the German-born Grete Stern and the Argentinean Horacio Coppola, two leading figures of avant-garde photography who, in the 1930s, established themselves on both sides of the Atlantic.

>>> Until 18 October 2015
The 80s. Figurative
Painting in West Germany

Städel Museum
Frankfurt | Germany
Shedding light on the new and dynamic figurative painting that developed in the 1980s almost simultaneously in Berlin, Hamburg and the Rhineland. Works by among many other artists, Martin Kippenberger, Albert Oehlen, and Salomé.

>>> Until 25 October 2015
Barbara Hepworth: Sculpture
for a Modern World

Tate Britain
London | UK
Retrospective of one of Britain’s greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

>>> Until 25 October 2015
Gilbert & George:
The Early Years

Museum of Modern Art
New York City | USA
‘It’s not a collaboration. . . We are two people, but one artist,’ say the inseparable British artists, Gilbert and George, who have been creating art together for almost fifty years. This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

>>> Until 26 October 2015
Radikal Moderne Planen
und Bauen im Berlin
der Sechziger Jahre

/ Planning and Building
in Berlin in the 1960s

Berlinische Galerie
Berlin | Germany
Via 300 known works and recently rediscovered material representing 30 architects, planners, photographers and artists, this is the first detailed examination of a decade in architecture and urban planning that shaped a city divided not only by a wall, but also by political ideologies.

>>> Until 31 October 2015
Stone Fenoyl (1945 > 1987).
An Imaginary Geography.
A Documentary Record

Château de Tours
(in association with Jeu de Paume)
Tours | France

Famous for his ability to discover and nurture new photographers, and for his admiration of anonymous 19th century photographs, iconographer, curator, art buyer, gallery and Vu agency (now Viva) founder, Pierre de Fenoyl was the first director of France’s National Foundation Photography in 1976. Champion of the work of Brassai, Henri Cartier-Bresson, Duane Michals and André Kertész, alongside prints, documents, films and publications, this retrospective also shows the black and white landscape photography he created himself from 1984.

>>> Until 1 November 2015
Fotografia Futurista
Galleria Carla Sozzani
Milan | Italy
With over one hundred original photographs, representing the work of over thirty photographers, this exhibition demonstrates how, over a fifty-year period, the futurists took possession of the photographic language and used it as a medium to capture the pulse of early 20th century life. In so doing, they transformed photography into the dynamic, potent and multifaceted force it became in both art and commerce in the twentieth century.

>>> Until 31 January 2016
Shoes: Pleasure and Pain
V&A
London | UK
Exploring the euphoria and obsession they can inspire, more than 200 pairs of historic and contemporary shoes from the V&A’s unrivalled international collection, worn by or associated with high profile figures including Marilyn Monroe, Queen Victoria, Sarah Jessica Parker and the Hon Daphne Guinness are on display. Famous shoes, such as the ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes, are exhibited alongside footwear by 70 named designers including Manolo Blahnik, Christian Louboutin, Jimmy Choo and Miuccia Prada.



Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Exhibitions | This Summer, Don’t Miss These…

Friday, July 24th, 2015

McDermott & McGough, Those Moments, 1955, 2010
Tricolour carbon print. Courtesy the artists and Cheim & Read, New York.
On show at The Hammer Museum in Los Angeles, see below



The Blog team is away.
Whether you stay at
home or go travelling,
h
ere’s our selection of
some of the best of what’s
on show this summer >>>



Doug Aitken, Sunset (black and white), 2011
Hand carved foam, epoxy with LED lights and hand silk-screened acrylic.
Courtesy the artist, 303 Gallery, New York, Galerie Eva Presenhuber, Zurich, Victoria Miro Gallery, London and Regen Projects, LA. Photo © Brian Forrest.
On show at the Schirn Kunsthalle Frankfurt, see below



>>> Until 23 August 2015
Coop Himmelb(l)au
Frankfurt Lyon Dalian
DeutschesArchitekturmuseum (DAM)
Frankfurt | Germany
Vienna-based architectural practice with the long-winded name Coop Himme(l)blau Wolf D Prix & Partner, long-time player on the international architecture scene, founded in 1968 in response to the predominance of rectilinear grids, set out to liberate architecture from its functional confines by rendering space more dynamic and buildings gravity-defying. The exhibition presents three of the studio’s latest projects: the new European Central Bank building (2015) in Frankfurt am Main, Germany, the Musée des Confluences (2014) in Lyon, France, and the Dalian International Conference Centre in China (2012), see image below.

>>> Auction 28 Aug 2015
Japanese Whisky
Christie’s
Admiralty | Hong Kong
Featuring Hanyu Ichito’s Full Cards Series of 54 bottles of the spirit, each with beautifully-designed individual labels on a playing card theme, which are expected to sell for HK$1.8 m > 2.4 m / £150,000 > 200,000 / US$230,000 > 310,000.

>>> Until 28 August 2015
Joana Vasconcelos:
Material World
Phillips
(Selling exhibition)
London | UK
Forty works representing various periods of sculptor and installation artist Joana Vasconcelos’s career to date, coinciding with the publication of her monograph by Thames & Hudson.

>>> Until 13 September 2015
Perfect Likeness:
Photography and
Composition
The Hammer Museum
Los Angeles | USA

Having reached a point when everyone thinks he / she is a photographer, and where photography of every possible style and quality pervades every corner of our daily lives, this exhibition looks at the carefully composed images of fine art photographers such as Thomas Demand, Andreas Gursky, McDermott & McGough and Jeff Wall.

>>> Until 13 September 2015
Design Derby:
The Netherlands – Belgium (1815 > 2015)
Museum Boijmans
Van Beuningen
Rotterdam | Netherlands

Like for like Dutch and Belgium design objects – from sumptuous and elegant Belgian art nouveau to the more austere Dutch version, and from the contemporary tours de force of Belgium design to the level-headed Dutch design of today – confront one other in friendly competition.

>>> Until 25 October 2015
Fast Fashion
The Shadowy Side of Fashion
Museum für Kunst und
Gewerbe Hamburg

Hamburg | Germany
A critical glimpse behind the scenes of fashion – consumerism, economic interests and ecological issues – throwing light upon fashion and its victims; poverty and affluence; global and local effects; wages and profits; garments and chemicals; clothes and ecology; as well as new fibre technologies.

>>> Until 26 September 2015
Larry Bell 2D-3D:
Glass & Vapor

White Cube, Mason’s Yard
London | UK
Larry Bell (b 1939, Chicago) is a leading exponent of the California ‘Light and Space’ movement. The exhibition includes three early glass installations as well as collages on paper and new, kinetic Light Knot sculptures. To coincide with a major presentation of a Standing Wall installation of thirty-two, six foot square glass panels (c1989 >2014) currently on show at the Chinati Foundation, Marfa, Texas, USA, at White Cube, Bell has installed 6 x 8 An Improvisation.

>>> Until 27 September 2015
Doug Aitken
Schirn Kunsthalle Frankfurt
Frankfurt | Germany
Following on from his Station to Station: A 30 Day Happening extravaganza at London’s Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia-artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

>>> Until 27 September 2015
Germaine Krull
A Photographer’s Journey
Jeu de Paume
Paris | France
The idea of the female career photographer – rather than dabbler or dilettante – didn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985) thrust herself headlong into the male-dominated mêlée in the 1920s.



One-sheet poster for Sullivan’s Travels, directed by Preston Sturges, 1941
Poster art direction by Maurice Kallis. Courtesy Sikelia Productions.
On show at MoMA in New York, see below

Dalian International Conference Centre, China, by
Coop Himmelb(l)au Wolf D Prix & Partner, in Vienna, Austria
Photo © Duccio Malagamba.
On show at the Deutsches Architekturmuseum, Frankfurt, see above



>>> Until 27 September 2015
What is Luxury?
V&A
London | UK
The world’s biggest museum of the decorative arts and design has a permanent, historic collection of over 4.5 million objects. By definition it is a museum of things, many of which are extremely valuable and considered to be luxurious items. With over 100 objects, ‘From a diamond made from roadkill to a vending machine stocked with DNA, a golden crown for ecclesiastical use to traditional military tailoring, this exhibition addresses how luxury is made and understood in a physical, conceptual and cultural capacity.’

>>> Until September 30
Scorsese Collects [film posters]
Museum of Modern Art
New York City | USA
In celebration of director Martin Scorsese’s enduring commitment to the preservation of international film culture, MoMA presents 34 works from his collection, centred around a rare, billboard-size poster for the 1951 film Tales of Hoffmann. The exhibition will be accompanied by the film series Scorsese Screens throughout August.

>>> Until 4 October 2015
From Bauhaus to Buenos Aires:
Grete Stern & Horacio Coppola

Museum of Modern Art
New York City | USA
The first major exhibition of the German-born Grete Stern and the Argentinean Horacio Coppola, two leading figures of avant-garde photography who, in the 1930s, established themselves on both sides of the Atlantic.

>>> Until 18 October 2015
The 80s. Figurative
Painting in West Germany

Städel Museum
Frankfurt | Germany
Shedding light on the new and dynamic figurative painting that developed in the 1980s almost simultaneously in Berlin, Hamburg and the Rhineland. Works by among many other artists, Martin Kippenberger, Albert Oehlen, and Salomé.

>>> Until 25 October 2015
Barbara Hepworth: Sculpture
for a Modern World

Tate Britain
London | UK
Retrospective of one of Britain’s greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

>>> Until 25 October 2015
Gilbert & George:
The Early Years

Museum of Modern Art
New York City | USA
‘It’s not a collaboration. . . We are two people, but one artist,’ say the inseparable British artists, Gilbert and George, who have been creating art together for almost fifty years. This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

>>> Until 26 October 2015
Radikal Moderne Planen
und Bauen im Berlin
der Sechziger Jahre
/
Planning and Building
in Berlin in the 1960s

Berlinische Galerie
Berlin | Germany
Via 300 known works and recently rediscovered material representing 30 architects, planners, photographers and artists, this is the first detailed examination of a decade in architecture and urban planning that shaped a city divided not only by a wall, but also by political ideologies.

>>> Until 31 October 2015
Stone Fenoyl (1945 > 1987).
An Imaginary Geography.
A Documentary Record
Château de Tours
(in association with Jeu de Paume)
Tours | France
Famous for his ability to discover and nurture new photographers, and for his admiration of anonymous 19th century photographs, iconographer, curator, art buyer, gallery and Vu agency (now Viva) founder, Pierre de Fenoyl was the first director of France’s National Foundation Photography in 1976. Champion of the work of Brassai, Henri Cartier-Bresson, Duane Michals and André Kertész, alongside prints, documents, films and publications, this retrospective also shows the black and white landscape photography he created himself from 1984.

>>> Until 1 November 2015
Fotografia Futurista
Galleria Carla Sozzani
Milan | Italy
With over one hundred original photographs, representing the work of over thirty photographers, this exhibition demonstrates how, over a fifty-year period, the futurists took possession of the photographic language and used it as a medium to capture the pulse of early 20th century life. In so doing, they transformed photography into the dynamic, potent and multifaceted force it became in both art and commerce in the twentieth century.

>>> Until 31 January 2016
Shoes: Pleasure and Pain
V&A
London | UK
Exploring the euphoria and obsession they can inspire, more than 200 pairs of historic and contemporary shoes from the V&A’s unrivalled international collection, worn by or associated with high profile figures including Marilyn Monroe, Queen Victoria, Sarah Jessica Parker and the Hon Daphne Guinness are on display. Famous shoes, such as the ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes, are exhibited alongside footwear by 70 named designers including Manolo Blahnik, Christian Louboutin, Jimmy Choo and Miuccia Prada.


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The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Photography | Germaine Krull: Female Photographer No 1

Friday, May 29th, 2015

Advertisement for fashion designer, Paul Poiret, 1926
Centre Pompidou, Paris. Musée national d’art moderne /
Centre de création industrielle. Photo © Centre Pompidou, MNAM-CCI,
Distribution RMN-Grand Palais / Georges Meguerditchian



Germaine Krull
A Photographer’s Journey
Jeu de Paume
Paris | France
2 June > 27 September 2015



Cover of the portfolio Métal, 1928, by Germaine Krull
Collection Bouqueret-Rémy. © Estate Germaine Krull,
Museum Folkwang, Essen



The great American photographer, Mary Ellen Mark (1940 > 2015), died this week.

Although the importance of women photographers in the history and development of photography is no longer disputed, it remained obscure until recent decades. As early as the 1830s, Constance Talbot (1811–1880) – wife of William Henry Fox Talbot experimented with the process and may have been the first woman ever to take a photograph. British photographer Julia Margaret Cameron (1815 > 1879) became known for her closely-cropped portraits that would have an impact on 20th century photographers, both male and female. For the time being, however, it would be almost exclusively men who took up photography as a profession. The idea of the female career photographer wouldn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985), the subject of a major retrospective exhibition opening at Paris’s Jeu de Paume, next week, thrust herself headlong into the male-dominated mêlée in the 1920s.

Pol Rab (Illustrator), 1930
Photomontage, Gelatin silver print.
Amsab-Institute of Social History, Ghent



Advertisement for Gibbs, in L’Illustration, n°4533, 18 January 1930
Private collection



Marseille, June 1930
Gelatin silver print. The Museum of Modern Art, New York.
Thomas Walther Collection.
Gift of Thomas Walther



Born in East Prussia (now Poland), and having had a peripatetic, uncertain childhood, after studying photography in Munich, Krull became a communist and made her way to Moskow. By 1925 she was in the Netherlands, where, fascinated by the dockyard cranes and machinery, she photographed them, later publishing her pictures in portfolio form under the title Métal (1928) at the next stop on her journey, Paris. The whirl of excitement Métal created would earn her work as a regular contributor to the now legendary, but then new and thrusting reportage magazine, VU. Her close-up pictures of tramps for VU were a sensation. Now, with a string of regular commissions from other magazines including, Jazz, Variétés, Art et Médecine and L’Art vivant, she began earning a proper living from photography, paying her own way from the money she earned from her uncompromising and versatile photographic skill.

American documentary photographer, Margaret Bourke-White (1904-1971), who would achieve monumental fame, began her career at about the same time. Another American, Lee Miller, a successful fashion model in New York during in the 1920s, was unable to withstand the magnetic draw of Paris, where she became a fashion and art photographer. Later, during World War II, transforming herself into a war correspondent for Vogue, covering events such the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau.

Jean Cocteau, 1929
Gelatin silver print, 1976. Collection Bouqueret-Rémy



Mary Ellen Mark was just one prominent figure among the full-time women photographers who followed these pioneers, and includes such famous practitioners as Eve Arnold (1912 > 2012), Diane Arbus (1923 > 1971), Inge Morath (1923 > 200), Annie Leibovitz (1949 >), Sally Mann (1951 >), Bettina Rheims (1952 >), Ellen von Unwerth (1954 >), Nan Goldin (1953 >), Cindy Sherman (1954 >) and Alex Prager (1979 >), to name but a few. Their work and successes continue to influence and inspire the more recent and ever-growing number of women within the profession.

Germaine Krull would have an extraordinary life spanning nine decades and four continents, producing photographic images that are easily comparable with that of her male avant garde contemporaries: Man Ray (1890 > 1976), László Moholy-Nagy (1895 > 1946) and André Kertész (1894 > 1985).

Capitalising on her earlier successes, she published further portfolios: 100 x Paris (1929), Études de nu (1930), Le Valois (1930), La Route Paris-Biarritz (1931), and Marseille (1935). She also created what is credited by Michel Frizot – curator of the Jeu de Paume exhibition, Germaine Krull: A Photographer’s Journey – as the first photo-novel, La Folle d’Itteville (1931), with Georges Simenon.

This exhibition will also be shown at Martin-Gropius-Bau, Berlin, Germany, 15 October 2015 > 31 January 2016. All images © Estate Germaine Krull, Museum Folkwang, Essen, courtesy Jeu de Paume


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The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us which we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees which may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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