Posts Tagged ‘Lord Snowdon’

Photography | Steichen & Chevallier

Friday, December 6th, 2013

Marlene Dietrich, Edward Steichen, 1931
Courtesy of The Whitney Museum of American Art, New York
Gift of Richard and Jackie Hollander in memory of Ellyn Hollander 2012.234
Steichen/Vanity Fair ©Condé Nast

Marlène Dietrich
, Anthony Armstrong Jones, London, c 1955
Signed with the dedication ‘J’ai toujours su que tu es le plus grand mais
depuis que j’ai envahi ton métier je suis à genoux, Marlènou’
Auction estimate €200-300

Collection Maurice Chevalier
Hôtel Drouot Richelieu – Salle 5
Paris, France
Exhibition: 7th & 8th December, 2013
Sale: 9th December, 2013

Edward Steichen in the 1920s and 1930s:
A Recent Acquisition

Witney Museum of American Art
New York City, USA
Exhibition: 6th December, 2013
– 23rd February, 2014

Two very different portraits (above) of the same woman, Marlène Dietrich – the first taken in 1931 by pioneering American photographer Edward Steichen (1879-1973) – the second about twenty-four years later, c 1955, by Anthony Armstrong Jones (later, Lord Snowdon) – feature in two very different events, the first starting at the end of this week, the other taking place at the beginning of next.

Paul Robeson as the Emperor Jones, Edward Steichen, 1933
Courtesy of Whitney Museum of American Art, New York
Gift of Richard and Jackie Hollander in memory of Ellyn Hollander 2012.234
Steichen/Vanity Fair ©Condé Nast

Steichen shot the beguiling and beautiful, young German-born actress/singer Dietrich, ten years into her career, exclusively for Vanity Fair magazine. It is one of approximately forty-five works, including celebrity portraits, of among others, Winston Churchill, Paul Robeson, Eugene O’Neill, and fashion photographs he created during his 1923 to 1937 stint as chief photographer for Condé Nast Publications Vanity Fair and Vogue. Together with photographs he shot for advertising campaigns, and a selection of images that illustrate Steichen’s obsession with flowers, they comprise The Witney’s exhibition Edward Steichen in the 1920s and 1930s: A Recent Acquisition.

Photographs above from top
Portrait of Maurice Chevalier, New York, Irving Penn, 1948
Auction estimate €3,000-5,000

Audrey Hepburn in religious costume
Dedicated ‘To Maurice and ‘Papa’ with love and great admiration, Audrey’
Auction estimate €150-200

The Duke and Duchess of Windsor, 1946, Dorothy Welding
Signed ‘Wallis Windsor et Edward Duke of Windsor’
Auction estimate €100-150

The Snowdon picture is one of eight portraits of Dietrich, each signed with a variety of sometimes cryptic dedications, for example: ‘Pour Maurice, de sa viel(le) ami(e) Marlène’ – scrawled over a picture of her in rather masculine attire – that over the course of both their careers, she presented to French entertainer Maurice Chevalier (1888-1972). And these are just a small sample of the 547 items, including many more signed and dedicated celebrity photographs – from the likes of Charlie Chaplin, and the Duke and Duchess of Windsor, to Brigitte Bardot, and Elvis Presley – as well as signed and collectible books, keepsakes, his signature hats and canes, furniture, wines, rugs, pianos, and even Chevalier’s 1967 Mercedes Benz 250 S, that will go under the hammer at one of Paris’s premier auction houses, in the Collection Maurice Chevalier sale at Hôtel Drouot, on Monday.

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Swiss goes pop in Düsseldorf

Wednesday, February 23rd, 2011

Zeitgeist & Glamour: The decades of the jet set

February 5th – May 15th, 2011, NRW Forum Düsseldorf, Germany

Diane Arbus, Eve Arnold, Richard Avedon, David Bailey, Harry Benson, Guy Bourdin, Raymond Depardon, Terence Donovan, Elliott Erwitt, Ron Galella, Dennis Hopper, William Klein, Robert Mapplethorpe, Billy Name, Terry O’Neill, Bob Richardson, Jeanloup Sieff, Francesco Scavullo, David Bailey, Lord Snowdon, Bert Stern (Bert Stern’s Twiggy, VOGUE, 1967. © Bert Stern. See above)… just some of of the photographers, whose work is represented in this exhibition, many of whom were or became, alongside the glamorous subjects they followed from the Côte d’Azur, St. Moritz, Paris, London, Rome, and New York– among them, Brigitte Bardot, Jackie Kennedy, Maria Callas, Andy Warhol, Truman Capote, Mick Jagger, Karl Lagerfeld – jet-setters themselves.

On show are 400 photographs, never exhibited before in public, from the Swiss collector Nicola Erni that collectively capture the unique zeitgeist of the 2oth century’s Swinging 60s and early 70s – Warhol’s Factory, Studio 54, Swinging London, Blow up, Pop Art, sex, drugs and rock‘n’roll – as seen through the lens of famous portrait and fashion photographers. Individually, each of these was creating new styles of photography, developing new techniques and forms of presentation that shaped the visual culture of the era. The paparazzi (See picture above – which may well have been the product of a prior arrangement between and in the interests of both subject and photographer(s) – by Giacomo Alexis: Un gelato in faccia di Rino Barillari da Sonia Romanoff in Via Veneto, Roma, 1970. © Giacomo Alexis) are represented, too; a new breed of photographer, who took pictures of famous personalities in their private lives and sold them to whichever newspaper and magazine bid the highest.

Were you around in the 60s & 70s? What do/did you think about all this stuff?
Please leave a comment

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