Posts Tagged ‘Louis Kahn’

Auction | Architect-Built Furniture

Friday, April 25th, 2014

Ettore Sottsass
Bookcase, 1994

Plastic-laminated wood.
Produced by Galerie
Mourmans, the Netherlands.
Estimate £6,000 > 8,000



The Architect
Phillips
Exhibition 23rd > 29th April 2014
Sale 29th April 2014
London | UK

Some 400 works designed by an august pantheon of international architects – among them, Michael Thonet, Charles Rennie Mackintosh, Eliel Saarinen, Gerrit Rietveld, Poul Henningsen, Arne Jacobsen, Gio Ponti, Oscar Niemeyer, I M Pei, Buckminster Fuller, Ettore Sottsass, Richard Meier, Zaha Hadid and Shiguru Ban – encompassing items from the mid-19th century up to the 21st, will be auctioned next week in London.

For this inaugural event, uncompromisingly entitled The Architect, the auction house Phillips chose architect Lee F Mindel FAIA, of the New York-based multi-award-winning Sheldon, Mindel & Associates Inc, as curator. SM&A, who, since establishing their company in 1978, have designed numerous lofts and private homes – including one for musician Sting and his actress/producer wife Trudie Styler – were also responsible for the interior of the gallery/sales office for Herzog & deMeuron’s prestigious 56 Leonard Street development of luxury condominiums. The company have designed furniture and lighting as well as interiors for ocean liners and at least one Gulf Stream jet. They believe that ‘Simplicity is the most complicated thing to pursue, but when all elements synthesise, they transcend mere enclosure and become an art form.’ The latter is a quote from the magazine Architectural Digest, which has recognised SM&A as one of the top 100 design firms of the last century. On Phillips’ website Mindel himself quotes American architect Louis Kahn as having said: ‘Design is not making beauty. Beauty emerges from selection, affinities, integration, love.’ But, enough of this high-minded proselytising and sentimental stuff – so clearly intended for the unconverted. Let’s take a look at a selection of the inspiring array of objects on offer, which, hopefully, speak for themselves.



Gerrit Thomas Rietveld
Maquette, for the ‘Danish’ chair,
circa 1950>1956
Cardboard.
Estimate £4,000 > 5,000

Oscar Niemeyer
Pair of ‘Aran’ lounge chairs,
circa 1975
Leather, stainless steel.
Made by Aran Line, Italy.
Estimate £15,000 > 20,000

Arne Jakobsen
Designed for the American
Scandinavian Foundation,
New York, 1952

Leather, chromium-plated
steel, ebony, painted wood.
Made by cabinetmakers
Rud Rasmussen A/S, Denmark.
Estimate £40,000 > 60,000

I M Pei
Double-sided clock, from
the John Hancock Building,
Boston, circa 1976
Steel, acrylic
Estimate £6,000 > 8,000

Zaha Hadid
Ordrupgaard bench,
model no PP995
for the Ordrupgaard
Museum extension,
Charlottenlund, Denmark,
circa 2006.
Ash. Produced by
PP Mobler,
Denmark
Estimate £35,000 > 45,000

All images courtesy of Phillips


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The publishers of The Blog insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees which may, under any circumstances, fall due, must be borne by the source supplier

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Architecture | Design | Objects des Architects

Friday, November 23rd, 2012

Arts Décoratifs du XXe siècle & Design Contemporain
Sotheby’s
Paris, France
Exhibition: 22nd, 23rd, 24th & 26th November, 2012
Sale: 27th November, 2012

If it isn’t a contradiction in terms, the phenomenon of modern architects creating furniture, and sometimes decorative items, for use in the buildings they design and elsewhere might well be termed a ‘tradition’. And the importance of this tradition is confirmed in the upcoming Arts Décoratifs du XXe siècle & Design Contemporain sale at Sotheby’s, Paris, which features items by, among others, Le Corbusier (with Pierre Jeanneret), Gio Ponti and Tadao Ando: architects whose work overlapped in a time span stretching from early 20th century modernism, through mid-century modern to whatever label we’re currently attaching to 21st century contemporary.

Sir Norman Foster, and Foster and Partners, responsible for many of the world’s key buildings of the last 30 years have designed sofas, lamps, bookcases, door handles and even sanitary ware for a range of clients, including Knoll, Molteni & Co, Acerbis and Nomos. There’s even a Gherkin lamp available from Kundalini. If modernism hadn’t already caught up with the future, Zaha Hadid’s and Amanda Levete’s respective oeuvres might still be referred to as futuristic. Zaha Hadid ArchitectsZ-Scape Furniture, designed in 2000 and produced by Sawaya & Moroni, is an ensemble of lounge furniture, whose forms derive from geology, glaciers and natural erosion but the company has also created equally-arresting and sculptural vases, lamps and tables. At Future Systems and currently, at AL_A, Levete has produced sinuous benches for Established & Sons and, in collaboration with Phillips, lighting, notably the Edge light. Always keen to control every aspects of the furnishing of his interiors, John Pawson, too, has had several of his spare furniture pieces produced by Driade. Common amongst all of the products created by these architects is quality design and a high degree of craftsmanship.

The fine, glazed earthenware Classical Conversation/’L'architetto’ bowl included in the Sotheby’s sale was produced by him around 1924, just one year after Gio Ponti began his career as an architect, during a period when he was influenced by and associated with the Milanese, neo-classical Novecento Italiano movement. Ponti would go on to become one of his country’s most important 20th century modernist architects, industrial designers, artists and publishers – he founded and was twice editor of Domus magazine. Building offices for Fiat during the war years, the attention attracted by his Pirellone/Pirelli Tower (completed, 1960), in Milan, earned him worldwide fame and international commissions, including the Denver Art Museum, 1971. His renowned furniture designs for Cassina include the 1957 Superleggerra/Superlight chair, and he produced lights for, among others, Artemide and Fontana Arte.

Le Corbusier – still probably the most famous architect in the world, and certainly of the 20th century, his array of built work too vast and familiar to list here – and his cousin Pierre Jeanneret’s wood and partially grey lacquered free-standing cabinet, was made in 1927, having been designed for The Poplars/Maison Guiette residence. Built by the practice in Antwerp, the house is an early and classic example of the International Style. Having been joined by Charlotte Perriand, Le Corbusier and Jeanneret presented their new concepts in furniture design at the 1929 Paris Salone d’Automne. That same year, Ludwig Mies van der Rohe, whom Le Corbusier had probably met, along with Walter Gropius during a sojourn in Berlin, created the Barcelona chair for his avant garde German pavilion at the Barcelona Exposition. Although only two Barcelona chairs were made for the exposition, the design was put into production and became so popular that, with the exception of a sixteen-year period, it has been continuously manufactured. Earlier, In 1908, Le Corbusier had studied architecture under Joseph Hoffman in Vienna – himself an architect who loved to design furniture – and would have been familiar with Hoffman’s designs, based famously on the square, and particularly the Kubus chair, 1910, which was almost certainly an influence on his and his co-designers’ very cubic Grand Confort armchair, albeit the construction is entirely different. Centre-piece of the Salone d’Automne show, the famous design was reissued by Cassina in 1965. The company makes some fourteen other Le Corbusier furniture items, including the equally familiar LC4 chaise longue and LC6 dining table.

In a kind of reversal of the process, in 1924, furniture-maker, Gerrit Rietveld built the Rietveld Schröder house and filled it with objects he designed. When Eileen Gray, famous for her sumptuous Art Deco lacquered screens suddenly became a modernist convert, she built her exquisitely modern home, Villa E1027, designing for it radical, but equally luxurious pieces that required production by skilled craftsmen. Her Bibendum chair, originally created for the the rue de lota apartment in Paris, in 1925, lay largely forgotten until an original re-surfaced in a 1972 auction, which prompted a new production of the design classic. Eero Saarinen, studied sculpture in Paris and architecture at Yale before working on furniture design with Norman Bel Geddes and practicing architecture with his father, Eliel. His furniture for Knoll includes dining and low tables, the Executive chair, the Tulip chair, and the Womb chair and ottoman.

During the 1980s, when Alberto Alessi took over the management of the Italian Alessi kitchen utensil company, he began collaborations with designers, and especially with architects, to produce high-end, exclusive products. Among the best known of the company’s product range from this period are Richard Sapper’s kettle with a two-tone whistle and Michael Graves‘ kettle with the bird shaped whistle.

By 1941, when future Pritzker Prize winner (1995), Japanese architect Tadao Ando was born, modern architecture was firmly on the world map. Having taken no formal training Ando travelled the world visiting buildings by Le Corbusier, Ludwig Mies Van der Rohe, Frank Lloyd Wright and Louis Kahn, then established Tadao Ando Architect and Associates in Osaka, in 1968. Strongly influenced by his traditional Japanese background his architectural style emphasises empty space to represent the beauty of simplicity, placing the inner feeling of a structure before its appearance. Working primarily in exposed cast-in-place concrete, from a formidable list of 154 completed projects, Ando is best known for The Church of Light in Osaka, 1989, The Pulitzer Foundation for the Arts in St Louis, 2001, and the Modern Art Museum of Fort Worth, 2002. Current projects include a mausoleum for fashion designer, Tom Ford. His minimal buildings are designed to contain little in the way of furniture, however he has lately collaborated with Danish furniture company Carl Hansen & Son on a project to develop a prototype chair honoring the aesthetic of the late Danish designer Hans Wegner, which will be available in 2013. In 2011, to mark their 90th anniversary, he created a limited edition vase for leading Venetian glassmakers, Venini, established in Murano in 1921. At an estimated sale price of €35,000-45,000, a set of three of these vases, all signed and dated and coming from a private collection in Germany, is included in the Sotheby’s sale.

Objects included in the Sotheby’s sale, from top
Tadao Ando
Set of three coloured glass vases in anthracite, red and ochre, 2011, for Venini
Estimate €35,000-45,000

Le Corbusier and Pierre Jeanneret
Wood and partially grey lacquered wood, double-sided cabinet, circa 1927
Estimate €12,00-15,000

Gio Ponti
Glazed earthenware bowl, Classical Conversation/’L'architetto’, 1924
Estimate €15,00-20,000

Photographs ©Sotheby’s/ArtDigital Studio

Tell us what you think
The Blog is about art, architecture, gardens, books, design and anything else that currently interests us which we think might interest you

The publishers of The Blog insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees which may, under any circumstances, fall due, must be borne by the source supplier

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