Posts Tagged ‘Netherlands’

Exhibition | A Data Date with Philippe Braquenier

Friday, March 31st, 2017

Competitor at the World Memory Championship in London – 02/12/02013
Created in 1991 by Tony Buzan and Raymond Keene, the World Memory Championships is a memory competition in which participants must memorise as much information as possible within a given timeframe



Philippe Braquenier
Palimpsest
The Ravestijn Gallery
Amsterdam
The Netherlands
7 April > 20 May 2017



Belgian conceptual artist Philippe Braquenier’s diverse and thought-provoking photographic projects have included, among others, a series of images of sealed photographic film containers, each enclosing exposures made during the past 10 years that have never been revealed; a run of portraits of kids and teenagers, whose entire life, he observes, seems to be digitally documented; and a set of pictures of buildings and landscapes sectioned off by yellow tape, intended to question our notion of territory.

The title of his forthcoming exhibition Palimpsest – from which the images shown here are selected – is a noun that can be used to describe an ancient manuscript on which the original writing has been effaced or replaced with more recent text. Taking knowledge and legacy as his theme, Braquenier’s photo essay uses architecture, landscape, people, objects and still life to explore the infrastructures of information repositories, libraries and data centres in both natural and built environments, and examines what is required to sustain the archives of human history. The project will be published in book form later this year.

Metas (Swiss Federal Office of Metrology) – Bern, Switzerland – 17/03/02014
FOCS 1, a continuous cold caesium fountain atomic clock located in Switzerland, started operating in 2004 at an uncertainty of one second in 30 million years, thereby becoming one of the most accurate and unique devices in the world for measuring time



Grotte Chauvet – Vallon-Pont-d’Arc, France – 28/08/02015
Sealed off to the public since its discovery in 1994 and granted UNESCO World Heritage status in 2014, the Chauvet-Pont-d’Arc Cave in the Ardèche department of southern France contains the earliest known and best preserved figurative cave paintings in the world, dating from 32,000 > 30,000 BC



Technician – Kista, Sweden – 05/11/02014
Featuring double-thickness bulletproof steel, The Space Station Data Centre is the first modular data hub created by the Swedish broadband provider Banhof. The installation, standing on a base of red lava stones imported from Iceland, functions as a mobile and cheap shelter for servers and uses the low outside temperature to keep them cool



Rue de Vaugirard – Paris, France – 15/11/02014
To familiarise the public with the new unit of measurement established in 1791, a standard metre was installed at sixteen Paris sites in 1796. Only this example, carved in marble to which a brass rule (now missing) was affixed, survives in its original location



Sabey Data Center, Verizon Tower – New York, USA – 14/07/02015
In 2011, Sabey Data Center Properties, the largest privately held developer, owner, and operator of data centres in the United States redeveloped this Manhattan tower creating a 1-million-square-foot facility, and claimed it as the world’s tallest and largest high-rise data centre



Born in 1985, his work having been exhibited internationally at prominent venues such as Foto Museum Antwerpen, The Brussels Royal Museum of Fine Arts, and at Aperture Foundation in New York, Philippe Braquenier ‘Palimpsest’, at The Ravestijn Gallery, is the artist’s first solo exhibition in The Netherlands.

Images courtesy and © Philippe Braquenier


Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier


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Photography | Man v Nature: An Interface Acted Out

Friday, January 15th, 2016

Joshua Tree (CA), 2002

Taft (CA), 2008

Joshua Tree (CA), 2007

Joshua Tree (CA), 2002

Claremont (CA), 2004

Twentynine Palms (CA), 2002

Sierra Nevada (CA), 2007



Marie-José Jongerius
‘The Magic Tree’
The Ravestijn Gallery
Amsterdam  | Netherlands
16 January > 27 February 2016



Distant, challenging, imbued with obscure meaning: if the British performance artist, model, and fashion icon Tilda Swinton was a landscape, she might resemble the photographs in this exhibition. There’s no denying that Swinton has an enigmatic stage presence that is impossible to ignore, on which her success is based, and these images demand attention for the same reasons. Produced in the hot, dry landscapes spanning the south-western United States, from the Pacific Ocean to the mountaintops of Sierra Nevada and down to the Mojave Desert, despite the golden light – like Swinton’s various personae – each studiously muted  image, resonates with coldness rather than warmth.

Marie-José Jongerius at work



At first sight, the seemingly empty, innocuous snatches of landscape might be an amateur’s snapshots from a road-trip to nowhere, but seasoned Dutch photographer Marie-José Jongerius’s photographs are carefully choreographed scenes in which she employs trees to act out the uneasy relationship between man and nature in this arid region, where the artificial interfaces awkwardly with the organic world.

While Marie-José Jongerius ‘The Magic Tree’ at The Ravestijn Gallery is restricted to only the seven large format images shown here, sixty of her landscape works can be found in the two volume book set Edges of the Experiment – The Making of the American Landscape (2015), which we blogged about in April 2015.

Main images courtesy The Ravestijn Gallery, © Marie-José Jongerius.
Portrait by Marcello Scopelliti


Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Exhibitions | Reminder: Don’t Miss These…

Saturday, August 1st, 2015

McDermott & McGough, Those Moments, 1955, 2010
Tricolour carbon print. Courtesy the artists and Cheim & Read, New York.
On show at The Hammer Museum in Los Angeles, see below



The Blog team return next week.
Whether you’re staying at home or travelling,
here’s our selection of some of the best
of what’s on show this summer >>>



Doug Aitken, Sunset (black and white), 2011
Hand carved foam, epoxy with LED lights and hand silk-screened acrylic.
Courtesy the artist, 303 Gallery, New York, Galerie Eva Presenhuber, Zurich, Victoria Miro Gallery, London and Regen Projects, LA. Photo © Brian Forrest.
On show at the Schirn Kunsthalle Frankfurt, see below



>>> Until 23 August 2015
Coop Himmelb(l)au
Frankfurt Lyon Dalian

DeutschesArchitekturmuseum (DAM)
Frankfurt | Germany
Vienna-based architectural practice with the long-winded name Coop Himme(l)blau Wolf D Prix & Partner, long-time player on the international architecture scene, founded in 1968 in response to the predominance of rectilinear grids, set out to liberate architecture from its functional confines by rendering space more dynamic and buildings gravity-defying. The exhibition presents three of the studio’s latest projects: the new European Central Bank building (2015) in Frankfurt am Main, Germany, the Musée des Confluences (2014) in Lyon, France, and the Dalian International Conference Centre in China (2012), see image below.

>>> Auction 28 Aug 2015
Japanese Whisky
Christie’s
Admiralty | Hong Kong
Featuring Hanyu Ichito’s Full Cards Series of 54 bottles of the spirit, each with beautifully-designed individual labels on a playing card theme, which are expected to sell for HK$1.8 m > 2.4 m / £150,000 > 200,000 / US$230,000 > 310,000.

>>> Until 28 August 2015
Joana Vasconcelos:
Material World

Phillips
(Selling exhibition)
London | UK

Forty works representing various periods of sculptor and installation artist Joana Vasconcelos’s career to date, coinciding with the publication of her monograph by Thames & Hudson.

>>> Until 13 September 2015
Perfect Likeness:
Photography and Composition

The Hammer Museum
Los Angeles | USA

Having reached a point when everyone thinks he / she is a photographer, and where photography of every possible style and quality pervades every corner of our daily lives, this exhibition looks at the carefully composed images of fine art photographers such as Thomas Demand, Andreas Gursky, McDermott & McGough and Jeff Wall.

>>> Until 13 September 2015
Design Derby:
The Netherlands – Belgium (1815 > 2015)

Museum Boijmans
Van Beuningen

Rotterdam | Netherlands

Like for like Dutch and Belgium design objects – from sumptuous and elegant Belgian art nouveau to the more austere Dutch version, and from the contemporary tours de force of Belgium design to the level-headed Dutch design of today – confront one other in friendly competition.

>>> Until 25 October 2015
Fast Fashion
The Shadowy Side of Fashion

Museum für Kunst und
Gewerbe Hamburg

Hamburg | Germany
A critical glimpse behind the scenes of fashion – consumerism, economic interests and ecological issues – throwing light upon fashion and its victims; poverty and affluence; global and local effects; wages and profits; garments and chemicals; clothes and ecology; as well as new fibre technologies.

>>> Until 26 September 2015
Larry Bell 2D-3D:
Glass & Vapor

White Cube, Mason’s Yard
London | UK
Larry Bell (b 1939, Chicago) is a leading exponent of the California ‘Light and Space’ movement. The exhibition includes three early glass installations as well as collages on paper and new, kinetic Light Knot sculptures. To coincide with a major presentation of a Standing Wall installation of thirty-two, six foot square glass panels (c1989 >2014) currently on show at the Chinati Foundation, Marfa, Texas, USA, at White Cube, Bell has installed 6 x 8 An Improvisation.

>>> Until 27 September 2015
Doug Aitken
Schirn Kunsthalle Frankfurt
Frankfurt | Germany
Following on from his Station to Station: A 30 Day Happening extravaganza at London’s Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia-artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

>>> Until 27 September 2015
Germaine Krull
A Photographer’s Journey

Jeu de Paume
Paris | France
The idea of the female career photographer – rather than dabbler or dilettante – didn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985) thrust herself headlong into the male-dominated mêlée in the 1920s.



One-sheet poster for Sullivan’s Travels, directed by Preston Sturges, 1941
Poster art direction by Maurice Kallis. Courtesy Sikelia Productions.
On show at MoMA in New York, see below

Dalian International Conference Centre, China, by
Coop Himmelb(l)au Wolf D Prix & Partner, in Vienna, Austria

Photo © Duccio Malagamba.
On show at the Deutsches Architekturmuseum, Frankfurt, see above



>>> Until 27 September 2015
What is Luxury?
V&A
London | UK
The world’s biggest museum of the decorative arts and design has a permanent, historic collection of over 4.5 million objects. By definition it is a museum of things, many of which are extremely valuable and considered to be luxurious items. With over 100 objects, ‘From a diamond made from roadkill to a vending machine stocked with DNA, a golden crown for ecclesiastical use to traditional military tailoring, this exhibition addresses how luxury is made and understood in a physical, conceptual and cultural capacity.’

>>> Until September 30
Scorsese Collects [film posters]
Museum of Modern Art
New York City | USA
In celebration of director Martin Scorsese’s enduring commitment to the preservation of international film culture, MoMA presents 34 works from his collection, centred around a rare, billboard-size poster for the 1951 film Tales of Hoffmann. The exhibition will be accompanied by the film series Scorsese Screens throughout August.

>>> Until 4 October 2015
From Bauhaus to Buenos Aires:
Grete Stern & Horacio Coppola

Museum of Modern Art
New York City | USA
The first major exhibition of the German-born Grete Stern and the Argentinean Horacio Coppola, two leading figures of avant-garde photography who, in the 1930s, established themselves on both sides of the Atlantic.

>>> Until 18 October 2015
The 80s. Figurative
Painting in West Germany

Städel Museum
Frankfurt | Germany
Shedding light on the new and dynamic figurative painting that developed in the 1980s almost simultaneously in Berlin, Hamburg and the Rhineland. Works by among many other artists, Martin Kippenberger, Albert Oehlen, and Salomé.

>>> Until 25 October 2015
Barbara Hepworth: Sculpture
for a Modern World

Tate Britain
London | UK
Retrospective of one of Britain’s greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

>>> Until 25 October 2015
Gilbert & George:
The Early Years

Museum of Modern Art
New York City | USA
‘It’s not a collaboration. . . We are two people, but one artist,’ say the inseparable British artists, Gilbert and George, who have been creating art together for almost fifty years. This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

>>> Until 26 October 2015
Radikal Moderne Planen
und Bauen im Berlin
der Sechziger Jahre

/ Planning and Building
in Berlin in the 1960s

Berlinische Galerie
Berlin | Germany
Via 300 known works and recently rediscovered material representing 30 architects, planners, photographers and artists, this is the first detailed examination of a decade in architecture and urban planning that shaped a city divided not only by a wall, but also by political ideologies.

>>> Until 31 October 2015
Stone Fenoyl (1945 > 1987).
An Imaginary Geography.
A Documentary Record

Château de Tours
(in association with Jeu de Paume)
Tours | France

Famous for his ability to discover and nurture new photographers, and for his admiration of anonymous 19th century photographs, iconographer, curator, art buyer, gallery and Vu agency (now Viva) founder, Pierre de Fenoyl was the first director of France’s National Foundation Photography in 1976. Champion of the work of Brassai, Henri Cartier-Bresson, Duane Michals and André Kertész, alongside prints, documents, films and publications, this retrospective also shows the black and white landscape photography he created himself from 1984.

>>> Until 1 November 2015
Fotografia Futurista
Galleria Carla Sozzani
Milan | Italy
With over one hundred original photographs, representing the work of over thirty photographers, this exhibition demonstrates how, over a fifty-year period, the futurists took possession of the photographic language and used it as a medium to capture the pulse of early 20th century life. In so doing, they transformed photography into the dynamic, potent and multifaceted force it became in both art and commerce in the twentieth century.

>>> Until 31 January 2016
Shoes: Pleasure and Pain
V&A
London | UK
Exploring the euphoria and obsession they can inspire, more than 200 pairs of historic and contemporary shoes from the V&A’s unrivalled international collection, worn by or associated with high profile figures including Marilyn Monroe, Queen Victoria, Sarah Jessica Parker and the Hon Daphne Guinness are on display. Famous shoes, such as the ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes, are exhibited alongside footwear by 70 named designers including Manolo Blahnik, Christian Louboutin, Jimmy Choo and Miuccia Prada.



Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Exhibitions | This Summer, Don’t Miss These…

Friday, July 24th, 2015

McDermott & McGough, Those Moments, 1955, 2010
Tricolour carbon print. Courtesy the artists and Cheim & Read, New York.
On show at The Hammer Museum in Los Angeles, see below



The Blog team is away.
Whether you stay at
home or go travelling,
h
ere’s our selection of
some of the best of what’s
on show this summer >>>



Doug Aitken, Sunset (black and white), 2011
Hand carved foam, epoxy with LED lights and hand silk-screened acrylic.
Courtesy the artist, 303 Gallery, New York, Galerie Eva Presenhuber, Zurich, Victoria Miro Gallery, London and Regen Projects, LA. Photo © Brian Forrest.
On show at the Schirn Kunsthalle Frankfurt, see below



>>> Until 23 August 2015
Coop Himmelb(l)au
Frankfurt Lyon Dalian
DeutschesArchitekturmuseum (DAM)
Frankfurt | Germany
Vienna-based architectural practice with the long-winded name Coop Himme(l)blau Wolf D Prix & Partner, long-time player on the international architecture scene, founded in 1968 in response to the predominance of rectilinear grids, set out to liberate architecture from its functional confines by rendering space more dynamic and buildings gravity-defying. The exhibition presents three of the studio’s latest projects: the new European Central Bank building (2015) in Frankfurt am Main, Germany, the Musée des Confluences (2014) in Lyon, France, and the Dalian International Conference Centre in China (2012), see image below.

>>> Auction 28 Aug 2015
Japanese Whisky
Christie’s
Admiralty | Hong Kong
Featuring Hanyu Ichito’s Full Cards Series of 54 bottles of the spirit, each with beautifully-designed individual labels on a playing card theme, which are expected to sell for HK$1.8 m > 2.4 m / £150,000 > 200,000 / US$230,000 > 310,000.

>>> Until 28 August 2015
Joana Vasconcelos:
Material World
Phillips
(Selling exhibition)
London | UK
Forty works representing various periods of sculptor and installation artist Joana Vasconcelos’s career to date, coinciding with the publication of her monograph by Thames & Hudson.

>>> Until 13 September 2015
Perfect Likeness:
Photography and
Composition
The Hammer Museum
Los Angeles | USA

Having reached a point when everyone thinks he / she is a photographer, and where photography of every possible style and quality pervades every corner of our daily lives, this exhibition looks at the carefully composed images of fine art photographers such as Thomas Demand, Andreas Gursky, McDermott & McGough and Jeff Wall.

>>> Until 13 September 2015
Design Derby:
The Netherlands – Belgium (1815 > 2015)
Museum Boijmans
Van Beuningen
Rotterdam | Netherlands

Like for like Dutch and Belgium design objects – from sumptuous and elegant Belgian art nouveau to the more austere Dutch version, and from the contemporary tours de force of Belgium design to the level-headed Dutch design of today – confront one other in friendly competition.

>>> Until 25 October 2015
Fast Fashion
The Shadowy Side of Fashion
Museum für Kunst und
Gewerbe Hamburg

Hamburg | Germany
A critical glimpse behind the scenes of fashion – consumerism, economic interests and ecological issues – throwing light upon fashion and its victims; poverty and affluence; global and local effects; wages and profits; garments and chemicals; clothes and ecology; as well as new fibre technologies.

>>> Until 26 September 2015
Larry Bell 2D-3D:
Glass & Vapor

White Cube, Mason’s Yard
London | UK
Larry Bell (b 1939, Chicago) is a leading exponent of the California ‘Light and Space’ movement. The exhibition includes three early glass installations as well as collages on paper and new, kinetic Light Knot sculptures. To coincide with a major presentation of a Standing Wall installation of thirty-two, six foot square glass panels (c1989 >2014) currently on show at the Chinati Foundation, Marfa, Texas, USA, at White Cube, Bell has installed 6 x 8 An Improvisation.

>>> Until 27 September 2015
Doug Aitken
Schirn Kunsthalle Frankfurt
Frankfurt | Germany
Following on from his Station to Station: A 30 Day Happening extravaganza at London’s Barbican, The Shirn dedicates its entire exhibition space, inside and out, to the impressive work of American multimedia-artist Doug Aitken, in the most comprehensive solo presentation of his film, music, architecture, performance and sculpture in Germany and elsewhere to date, see image above

>>> Until 27 September 2015
Germaine Krull
A Photographer’s Journey
Jeu de Paume
Paris | France
The idea of the female career photographer – rather than dabbler or dilettante – didn’t properly materialise until free-spirited women such as Gertrude Krull (1897 > 1985) thrust herself headlong into the male-dominated mêlée in the 1920s.



One-sheet poster for Sullivan’s Travels, directed by Preston Sturges, 1941
Poster art direction by Maurice Kallis. Courtesy Sikelia Productions.
On show at MoMA in New York, see below

Dalian International Conference Centre, China, by
Coop Himmelb(l)au Wolf D Prix & Partner, in Vienna, Austria
Photo © Duccio Malagamba.
On show at the Deutsches Architekturmuseum, Frankfurt, see above



>>> Until 27 September 2015
What is Luxury?
V&A
London | UK
The world’s biggest museum of the decorative arts and design has a permanent, historic collection of over 4.5 million objects. By definition it is a museum of things, many of which are extremely valuable and considered to be luxurious items. With over 100 objects, ‘From a diamond made from roadkill to a vending machine stocked with DNA, a golden crown for ecclesiastical use to traditional military tailoring, this exhibition addresses how luxury is made and understood in a physical, conceptual and cultural capacity.’

>>> Until September 30
Scorsese Collects [film posters]
Museum of Modern Art
New York City | USA
In celebration of director Martin Scorsese’s enduring commitment to the preservation of international film culture, MoMA presents 34 works from his collection, centred around a rare, billboard-size poster for the 1951 film Tales of Hoffmann. The exhibition will be accompanied by the film series Scorsese Screens throughout August.

>>> Until 4 October 2015
From Bauhaus to Buenos Aires:
Grete Stern & Horacio Coppola

Museum of Modern Art
New York City | USA
The first major exhibition of the German-born Grete Stern and the Argentinean Horacio Coppola, two leading figures of avant-garde photography who, in the 1930s, established themselves on both sides of the Atlantic.

>>> Until 18 October 2015
The 80s. Figurative
Painting in West Germany

Städel Museum
Frankfurt | Germany
Shedding light on the new and dynamic figurative painting that developed in the 1980s almost simultaneously in Berlin, Hamburg and the Rhineland. Works by among many other artists, Martin Kippenberger, Albert Oehlen, and Salomé.

>>> Until 25 October 2015
Barbara Hepworth: Sculpture
for a Modern World

Tate Britain
London | UK
Retrospective of one of Britain’s greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

>>> Until 25 October 2015
Gilbert & George:
The Early Years

Museum of Modern Art
New York City | USA
‘It’s not a collaboration. . . We are two people, but one artist,’ say the inseparable British artists, Gilbert and George, who have been creating art together for almost fifty years. This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.

>>> Until 26 October 2015
Radikal Moderne Planen
und Bauen im Berlin
der Sechziger Jahre
/
Planning and Building
in Berlin in the 1960s

Berlinische Galerie
Berlin | Germany
Via 300 known works and recently rediscovered material representing 30 architects, planners, photographers and artists, this is the first detailed examination of a decade in architecture and urban planning that shaped a city divided not only by a wall, but also by political ideologies.

>>> Until 31 October 2015
Stone Fenoyl (1945 > 1987).
An Imaginary Geography.
A Documentary Record
Château de Tours
(in association with Jeu de Paume)
Tours | France
Famous for his ability to discover and nurture new photographers, and for his admiration of anonymous 19th century photographs, iconographer, curator, art buyer, gallery and Vu agency (now Viva) founder, Pierre de Fenoyl was the first director of France’s National Foundation Photography in 1976. Champion of the work of Brassai, Henri Cartier-Bresson, Duane Michals and André Kertész, alongside prints, documents, films and publications, this retrospective also shows the black and white landscape photography he created himself from 1984.

>>> Until 1 November 2015
Fotografia Futurista
Galleria Carla Sozzani
Milan | Italy
With over one hundred original photographs, representing the work of over thirty photographers, this exhibition demonstrates how, over a fifty-year period, the futurists took possession of the photographic language and used it as a medium to capture the pulse of early 20th century life. In so doing, they transformed photography into the dynamic, potent and multifaceted force it became in both art and commerce in the twentieth century.

>>> Until 31 January 2016
Shoes: Pleasure and Pain
V&A
London | UK
Exploring the euphoria and obsession they can inspire, more than 200 pairs of historic and contemporary shoes from the V&A’s unrivalled international collection, worn by or associated with high profile figures including Marilyn Monroe, Queen Victoria, Sarah Jessica Parker and the Hon Daphne Guinness are on display. Famous shoes, such as the ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes, are exhibited alongside footwear by 70 named designers including Manolo Blahnik, Christian Louboutin, Jimmy Choo and Miuccia Prada.


Tell us what you think
The Blog is about art, architecture, books, design and gardens, and anything else that currently interests us that we think might interest you.

The Blog’s publishers insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees that may, under any circumstances whatsoever, fall due, must be borne by the source supplier



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Design | Modernism and Stained Glass

Friday, December 14th, 2012

Important 20th Century Decorative Art & Design
Christie’s, New York,
Rockefeller Plaza,
New York City, USA
14th December 2012

The Avery Coonley Playhouse windows, circa 1912, with their buoyant circles and patriotic flags, that stand out for their distinctive, asymmetrical composition and vibrant color, are considered Frank Lloyd Wright’s masterpiece in glass. The building, a small structure created by Lloyd Wright to serve as a school for Queenie Ferrie Coonley to educate local children, was a short distance from the Coonley’s home in Riverside, Illinois, that Wright had previously completed for the couple in 1908. Just one of the 40 original windows – sadly, all of them were removed in the 1950s to be replaced by replicas – that ringed the main school room and were designed to encourage a spontaneous, playful air, is included in Christie’s Important 20th Century Decorative Art & Design sale. His use of bright red, green, blue, orange and black glass was, by all accounts, inspired by a passing parade, complete with confetti, balloons and American flags. The European abstract art movement, including the paintings of Sonia and Robert Delaunay and Wassily Kandinsky, which Wright saw in Paris on his European sojourn in 1909-1910, that included a trip to Vienna, significantly influenced the designs.

A stained glass revival had been triggered in Holland in the 1850s, when William Morris’s ideas gained currency there, and a domestic demand emerged for non-figurative, decorative art that accorded with strict Calvinist principles. Via the De Stijl movement founded in the Netherlands in 1917, this late 19th century trend would evolve into abstract stained glass panels. That year, leading member, Theo van Doesburg, completed a set of five identical windows, strikingly geometrical in style, whose motif was abstracted from skating figures, for a house designed by fellow member, Jan Wils. In 1918, Van Doesburg began collaborating with another member, architect JJP Oud, on his first municipal housing blocks at Spangen, designing stained glass panels for each apartment – some are still in place, others, inevitably, as van Doesburg’s reputation as an artist grew and his work became much sought after, were sold off. Later, in 1934, another significant Dutch architect, Jan Kuyt, designed intricate stained glass skylights for his V&D Department Store building in Amersfoort.

From the same early period, Josef Albers’ Red and White, 1923, created for that year’s first Bauhaus Exhibition in Weimar – sadly, since destroyed – was a stained-glass window that was granted a title, in the style of an artwork.

Of course, stained glass had been around for many centuries before the early modernists, recognising its potential, took hold of it and adapted it to suit their buildings, in the process turning it into an art form. And, although its popularity during the 20th century swung in and out of fashion, it never really went away.

In a note on an early drawing of the Glass Pavilion – the pineapple-shaped temporary building that German expressionist architect, Bruno Taut, erected at the Cologne Deutscher Werkbund Exhibition in 1914 – a prismatic glass dome structure of concrete and glass, he said he made it in the spirit of a gothic cathedral. Inlaid coloured glass plates on the façade acted as mirrors. Inside, there were floor-to-celing, coloured glass walls and a glass-treaded metal staircases led to the upper projection room that showed a kaleidoscope of colors. But when, some 40 years later, Le Corbusier built Chapelle Notre Dame du Haut at Ronchamp in France, between 1950 and 1955 – in which daylight enters via a system of openings covered with glass, much of it coloured – the architect was keen to maintain that his glass had no connection to stained glass, which he considered a form of illumination too closely bound to archaic architectural notions, with particular reference to Romanesque and Gothic art.

At Fondation Maeght, Saint Paul de Vence, on the French Riviera, a small chapel, next to the main building, has stained glass windows designed by Braque in the 1960s. More contemporary examples include a stained-glass window installed at Damien Hirst’s Pharmacy restaurant in Notting Hill, London, during the 1990s.

Two other windows by Lloyd Wright are included in the Christie’s sale, alongside a skylight and panel made by Louis Sullivan in 1890 for the Auditorium building, Chicago. Meanwhile, a set of four square windows (26.9 x 26.9 cm) of graphic, abstract design, in opalescent, cathedral and slumped glass, produced in 1880 by American painter and muralist John la Farge, and estimated to sell at $8,000 – 12,000, are on offer at Sotheby’s, New York, in their Important 20th Century Design sale on 15th December.

Images from top
Window from the Avery Cooonley Playhouse, Frank Lloyd Wright, circa 1912
(Detail, the complete framed panel is also shown above)
Leaded glass, with original oak window frame, 61 x 97 cm
Estimate $200,000 – $300,000

Photo © Christie’s Images Limited, 2012

Tell us what you think
The Blog is about art, architecture, gardens, books, design and anything else that currently interests us which we think might interest you

The publishers of The Blog insist that all images supplied for publication in our posts are cleared for that use before being sent to us. Whether pictures are sent to us as email attachments or made available as downloadable files, any responsibility for fees which may, under any circumstances, fall due, must be borne by the source supplier

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Photography | Viviane Sassen’s Parasomnia

Friday, August 10th, 2012

Viviane Sassen: Parasomnia
Text by Moses Isegawa
Prestel
First published, 2011
Second printing, 2012

Award-winning Dutch photographer Viviane Sassen’s monograph features photographs taken during her journeys throughout West and East Africa. The images however, which she has grouped under the title Parasomnia – the name of a sleep disorder involving strange movements, sleep-walking, talking, emotions and terror – are far more than mere travel pictures.

Sassen’s work is the result of an entirely personal, original approach to her subjects. She sees shape and form with the eye of a sculptor; shadow played off against strong light as an abstract artist sees and considers it. Invariably intriguing and remarkable, sometimes her images, though patently tangible, have a surreal quality and appear mysterious, otherworldly.

This exquisitely-produced large-format book, designed by Antwerp-based -SYB- in cooperation with the photographer, might be the catalogue for a show of fine art photography; it could be reportage, but just as easily some of its stark and hauntingly elegant images could illustrate fashion. Indeed, Sassen’s stamping ground is all of these areas and more. Having previously been awarded the Prix de Rome in 2007, last year she won an ICP Infinity Award in the Applied/Fashion/Advertising Photography section. Her phenomenal list of clients has included: Aquascutum, Missoni, Adidas/Stella McCartney, Diesel, Miu Miu, Louis Vuitton and also Vodaphone, Siemens and Vitra. She has had fashion and portrait commissions from, among others, 10 Magazine, Another Magazine, Dazed & Confused, Wallpaper, Vogue France, as well as newspapers Le Monde and the left-wing, progressive Libération.

The photographer’s pictures of mostly young, urban Africans, still life and buildings in Parasomnia evoke a new Africa emerging from the old, struggling to find an identity and a direction in the 21st century, the nightmares of its dark past and often still violent present still causes for general concern, and of many a sleepless night for its inhabitants. They possess a carefully-crafted, consistent ambiguity that challenges the viewer to invent a narrative. Chameleone, a short, lyrical story by novelist Moses Isegawa – who went to live in the Netherlands for 15 years, before returning to his native Uganda in 2006 – written in Uganda in 2011, is included as an introduction to the book and functions as an emotive scene-setter.

Born in Amsterdam in 1972, Sassen lives and works in the city. She has produced a wide variety of memorable images, many of which were made in Africa, the continent in which she spent part of her youth. Libraryman Sweden recently published her photobook Die Son Sien Alles – first and second editions are already sold out – a series of photographs of interiors in the townships of Cape Town. Earlier this year, the images from Parasomnia were exhibited in the Pauza Gallery in Krakow, Poland, however her work has appeared internationally in some 60 solo and group shows since 2000. Viviane Sassen / Laboratorium, 17 years in and out of fashion will run at Museum Huis Voor Fotographie, Marseille, France from 15th December, 2012, to 2nd March, 2013.

Image
Parasomnia, 2010
©Viviane Sassen

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